31st March, 1997

Not much, but high quality.

Single of the Week

"U16 Girls" by Travis

Think Slade crossed with the Pistols and a healthy dose of Black Crowes with a smattering of Radiohead, and you're somewhere close to the corner of the musical world inhabited by the exciting Travis. This down and dirty bluesy sleaze of a single sees the band warning of the dangers of the underage groupie ("make sure that she's old enough before you blow your mind") and is a gloriously hedonistic rush of a song; a sexy and brave thrust from a hugely impressive outfit.

On the flip (yeah, I know CDs don't have flipsides...so?) is "Hazy Shades Of Gold", a perfect title to describe the stoned, lazy rock on offer here; like Rod Stewart and Bobby Gillespie taking one of those 'trips' you read about...the fact that it starts off like Abba's "Does Your Mother Know" is also a point in its favour. Two songs in, and we've already covered more ground than most bands take 3 LPs to achieve. Next up is "Good Time Girls", a slower, slinkier number that sees the singer coming over like Shaun Ryder and extolling the virtues of free-spirited females, the kind of girls you see "drinking expensive wine". A lazy, debauched summer track, it manages to recapture the feeling of similar songs from the 70s, but without being so patronising or naive. Last up is a demo of "Good Feeling", a slow acoustic come-down number, that is equally impressive.

Certainly on record, Travis sound as though they're living the rock and roll myth to the max and are certainly producing some killer sounds, even if they're really four clean-cut public schoolboys...

Rating: 10/10

Read another review of "U16 Girls" by Greg O'Keeffe...


The Rest

"Richard III" by Supergrass

In a similar way to Blur, on the evidence of this blistering rock-out of a single, Supergrass have turned their back on Britpop and embraced a rockier beast altogether. Coming on all Stooges stomp and MC5 mayhem, this song features the familiar, half-yelped vocals, but with the guitars turned up to 11. No longer a teen cartoon band like the Monkees, Supergrass have come over all adult and Rock, sounding all the better for it. Sonic Youth would be proud of some of the guitar noises on offer here, and the tune - although not immediate - ends up being a grower and as catchy as some of their earlier material.

Onto the b's..."Sometimes I Make You Sad" is a throwaway scuzzy fairground stomp. "Sometimes We're Very Sad" is the band larking about trying to do the same song a capella style - and failing miserably. A self-admitted filler, it would probably have been better left off. On the other single is "Nothing More's Gonna Get In My Way", a mellow hippyish rocker - could be straight out the early 70s. The last of the extra tracks on offer as part of this release is "20ft Halo", a funky Sgt Pepper-ish psychedelic track that is probably the best of the b-sides.

Rating: 9/10

"We Have Explosive" by Future Sound Of London

We do indeed. This sounds like the Art Of Noise's evil twin, with its weird vocoder samples and rhythmic pulsing noises: killer robots on the rampage after having their brains hotwired by a teenager out of his head on cheap speed. Or something. This is the kind of music intensely difficult to describe (as is all music - but that's my problem); suffice to say it is damned good. Not as hard or in-yer-face as The Prodigy or the Chemicals, this is more like ambient hardcore, if such a thing could feasibly exist.

The other tracks are all different 'parts' of the same track (too different to be remixes), some better than others. All retain the sonic sci-fi of the main track however, and would probably feature in the soundtrack of Bladerunner if someone ever made a special edition of it (and yes, Decker is a replicant).

Rating: 8/10


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