1st November 1999


Jetlagged with the cold - these will be brief. Normal service will be resumed on Monday.


Single of the Week

"Gin Soaked Boy" by The Divine Comedy

One of two new songs from the excellent "A Secret History" compilation LP, "Gin Soaked Boy" takes the form of a musical riddle, with lyrics such as ("I'm the mystery's final page" and "I'm the trojan horse in Troy"), set to a mid-tempo building accompaniment which swirls and swells around Hannon's always eminently listenable voice. Neil's been quoted as saying he wishes to move away from the doomed romantic Divine Comedy of old: "Gin Soaked Boy" - with its intellectualisms and foppish manner - doesn't suggest much of a change, but hey - if it ain't broke...

B-sides (across two CDs) begin with a stripped-down acoustic version of "Songs Of Love" (no-one mention Father Ted...), then follows "I Am", an orchestration of words from a book by Brian Eno. Ambient and (for the Divine Comedy at least) experimental, it floats around for a few minutes of pleasant diversion.

CD2 features a live version of the archetypically doomed and romantic "Geronimo", the oft-requested and seldom played "My Lovely Horse" and the video to "Gin Soaked Boy" which continues the equine theme with its day-at-the-races scenes.

Shining like a beacon amongst the fog-bound mediocrity of most of their peers, The Divine Comedy are a very special band indeed, and their new material should prove to be well worth a moment of anyone's time.

Rating: 9/10


The Rest

"Glory Of The 80s" by Tori Amos

Flame-haired chaunteuse (™) Amos has been banging out left-field piano ansgt-thems for many years now, dipping her toes into the swirling pool of what our stateside cousins call "electronica" (bless them) in the process. "Glory Of The 80s" therefore is another musical collage of vocal gymnastics, ambient beats and noodlings and lyrics that prove Tori's been dipping her fingers in the smartie jar once too often. However, the melange of mellow sounds and warm synth moods proves to be highly evocative and enjoyable, if a little too much "middle class dinner party soundtrack" for my tastes...

A couple of live tracks on the b-side. "Baker Baker" is an emotionally-bare and haunting dream-like number, just featuring Ms Amos at her piano; "Winter" similarly sparse, is even more raw-nerve twanging and ghostly, the sound of souls lamenting as they descend into the seventh plane of hell (which is very like the plane I was on yesterday).

Rating: 7/10

"Lift Me Up" by Geri Halliwell

Methinks Geri's spices have all run dry now, as "Lift Me Up" is pretty excrutiating. Saturday morning kids TV fare, it is neither serious nor frivolous - merely bland and forgettable. And the video - included here - is the worst three minutes committed to celluloid since someone told Adam Rickett to take his shirt off.

Travesties continue on the b-side with a limp and cringe-inducing version of "Live And Let Die". Give me Guns N Roses anyday. Or just give me a gun..."Very Slowly" follows, a Spice-u-like that burbles along in an almost (almost...) seductive manner.

At least it's better than that godawful effort Emma put out this week.

Rating: 3/10


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