6th September 1999


Don't you want me, baby?


Single of the Week

"1st Man In Space" by The All Seeing I

This is a marriage made in heaven - or space, at the very least. Purveyors of lightweight yet damned addictive dance pop The All Seeing I get together with suave old 80s trout Phil Oakey in a song with lyrics written by everyone's favourite lingerie-sniffer, Jarvis Cocker. Which results in something that flits between 80s synth pop (the echoes of "Blue Monday" are resounding to say the least...), new wave, 90s dance and post-modern lyrical cynicism ("I'm floating like God in his heaven, high in the stratosphere, darling come quick - you can see our house from here"). All wrapped up in a shiny pop bubble that shoots the whole thing off into orbit round your head.

"Sweet Music" follows that hard act, and follows it well. A trancey ambient circular journey over which the vocalist (not Mr Oakey) repeats the title ad infinitum, the track - mainly due to its hypnotic rhythm - boils along relentlessly before transforming into a large S-Express style house anthem that whisks you onto the floor and rubs against you provocatively. Even better is "Luxury I", an instrumental battle between some razor-blade guitar and a dub beat, whilst a Hammond organ sits on the sidelines shouting encouragement.

And the beat goes on.

Rating: 9/10

"Afrika Shox" by Leftfield

A slightly more heavyweight dance trip now, courtesy of the big beats of Leftfield and the midnight-on-the-savannah vocals of Afrika Bambaataa. In your face more threateningly than a charging rhino, "Afrika Shox" sends ripples of bass through your stereo like the aftershock from a Kilamanjaro-levelling earthquake. The radio edit is over far too quickly, so seek out the extended version - presumably on the other CD I didn't get.

Over on the b-side is the awesome, headache inducing "Phat Planet", familiar from the charging white horses in the surf Guinness advert. Featuring bass that liquidises your internal organs and causes them to seep out your ears, this is the biggest baddest track to get in under your skin since Mr Oizo's "Flat Beat", and is indeed the sonic equivalent of the inside of your head after eight pints of the black stuff. Here's to you, Ahab. A rather antispetic "Jedis Elastic Bass Mix" of "Afrika Shox" follows, stripping away all the brutal power and immediacy of the original until only a bleached skeleton remains.

Rating: 8/10

"Everything Will Flow" by Suede

The sonic twin to "She's In Fashion", "Everything Will Flow" is more hazy, lazy summer night city vibes from Suede. Dripping strings like a melting orchestra, the song is most noticeable due to its mesmeric, epic chorus; a sweeping, unstoppable swell from the neon-lit streets. Perhaps a little too formulaic and Suede-by-numbers to be truly classic, this is nevertheless a marvellously warm and sensual pool in which to dive into for a bit of skinny-dip nightswimming.

"Crackhead" is a harder beast altogether, with its angular rhythms and acerbic guitar, over which Brett's lyrics drip like battery acid. Summoning the ghosts of Bowie and Roxy Music to dance a strange tango, "Crackhead" blisters and cracks under its furnace-like production, until only smoke remains. "Seascape" mellows things down completely, with sampled tide and seagull noises introducing a lush and poignant piano-led instrumental. Set adrift on this and you'll float away from shore until you realise you're too far out. As the last waves of this lap over your head, you'll realise you don't really care.

Still up there with Blur and Radiohead as one of the best bands around.

Rating: 7/10

"Moving" by Supergrass

Unlike, for instance, just for the sake of argument - Supergrass. A band who started off promising, the yapping runts of the Britpop litter, then quickly descended into bland mediocrity. Whilst not as bad as the gruesome "Pumping On Your Stereo" (the Sesame-Street-on-happy-pills video to which is thoughtfully included here), "Moving" still falls into the big dull dumper, with its uninteresting AOR pretentions and unconvincing Stones-y chorus. Moving straight out my stereo.

"You Too Can Play Alright" is ego wank of the highest order, being a how-to piece from a "Guitarist" magazine covermount CD. "You Too Can Be So Far Up Yourself That You Believe People Actually Want To Cover One Of Your Tediously Little Insignificant Songs", it should have been called. I thought this was a joke at first, but sadly, no. You too can spend your time and money on something far more worthwhile than this fetid little boil of a single.

Rating: 3/10


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