6th December 1999


Very likely the last batch of half-decent songs to be released this millennium...ain't that a scary thought?


Single of the Week

"My Beautiful Friend" by The Charlatans

A late entrant for song of the year, "My Beautiful Friend" is one of those all-too-rare tracks capable of taking the hairs on the back of your neck and individually coaxing each one to stand to quivering attention. A tantalisingly delicate soundtrack to being in love, it is underpinned by a guitar motif that seductively nibbles your earlobe and a deliciously liquid vocal from indie lothario Burgess. "High as an angel, I'll stand here beside you, love is all we need" he sighs, and everyone within earshot and with an ounce of emotion in their body faints. Sigh...quite, quite wonderful.

As if it knows "My Beautiful Friend" is too hard an act to follow, "Scorched" doesn't try too hard, burbling along its baggy instrumental business pleasantly enough before shuffling off again with scarcely a ripple left in its wake. "Your Precious Love" is better; though - with its bizarre Madchester / country twang guitar hybrid - an altogether weirder thing: like Bez and Beck having a pillow fight.

CD2 knows the game though - concentrating as it does entirely on "My Beautiful Friend". First up is the Lionrock remix, which injects pulsing bass and a narcoleptic beat into the song's veins, making it perspire gently as it glides around your head. The Jagz Kooner treatment is more radical, strapping a double-tempo, semi-industrial beat to the unwitting original, winding it up, and setting it off to soar into the horizon, not a million miles away from the intenser sound of the next band (see below). The original version resurfaces again next, shaking off the trappings of the remixers and shining forth like a diamond once more. For completeness' sake, the video is also included, which features Tim living his entire life through the course of the song, morphing Cronenberg-like from infant to old man whilst the rest of the band continue to pluck sonic clouds from the sky.

This is what's playing over heaven's tannoy system.

Rating: 10/10


The Rest

"We're In This Together" by Nine Inch Nails

If The Charlies explore the warm, gentle, sensual nature of love, Trent Reznor and his bunch of psycho sex dwarves take the flipside: hardcore, intense and semi-brutal. But still "We're In This Together" is a love song - a just-us-two-against-the-world kind of love song, admittedly, and one featuring the sound of Genghis Khan figuring out how to plug in his guitar's effect pedals - but a love song nonetheless. As all hell breaks loose and lava erupts out of your hi-fi, Reznor still manages to grab his vocal chords by the fist and wrench lyrics like "You and me, if the world should break in two, until the very end of me, until the very end of you" out, proving that underneath all the metal and sponge-clean surface, he's just a sweet little puppy at heart. Mind you, play this loud (as you must...) and he sounds like "Zoltan, Hound of Dracula" instead, which - in its own way - is as quite, quite wonderful as "My Beautiful Friend".

"10 Miles High" follows the bluster of the a-side with a sinister, building track, that layers sound upon sound until it climaxes in an explosion of furnace-hot guitar, histrionic vocals and Thor's hammer drumming, before outro-ing away again with its tail between its legs, energy spent. "The New Flesh" is the third track, and is downright scary, sludged-out and distorted guitar eviscerating out of an open wound of a song in which Reznor screams like a lost and damned soul. Don't expect Sir Cliff to be covering it.

This band taught Marilyn Manson all they know (and no, I'm not being ironic)...

Rating: 9/10

"I Shall Be There" by B*Witched

After the sonic violation of NIN, a wipe down is needed, and who better to administer that than B*Witched...? Here, the impossibly bouncy and fresh-faced Celtic lasses calm down somewhat, with a big, lush pop ballad, replete with harmony-laden choruses, strings and only a faint whiff of parmesan. Not so much a Christmas song like last year's "To You I Belong", this instead seems to be aiming its optimistic sights on that new millennium thing, and also features vocal accompaniment from Ladysmith Black Mambazo (which means it's perfect for eating your beans on toast to). In fact, the marriage of chartbound pop, Irish-tinged folk (better than The Bloody Corrs, anyway) and sunbaked African music is - if you can stop looking down your nose at it - a remarkably effective one. But then you knew I'd say that, didn't you?

"Don't Say Never" is, on listening to it, obviously the Christmas ballad: lush as a velvet pouch full of ocelots and as similar to the Spice Girls as it's possible to be without marrying David Beckham. That said however, it's a damn fine big mug of pop cocoa to let yourself sip from just before bedtime. "Does Your Mother Know" (as performed on that Abbamania thing on the telly a while ago) bounces up irrepressibly next, so bright-eyed that it must be on artificial stimulants. It features a great big fantastic rubber band bass sound though, so that's alright then.

The video to "I Shall Be There" allows you to see the gurls in all their glory, and features them frolicking with the jungle creatures like something out of a Bounty advert. You can also marvel at that funny hand-jiving thing they do, and wonder to yourself whether they are inadvertanly making rude gestures according to some foreign culture they are unaware of.

Well, it kept me amused.

Rating: 8/10

"Alive" by Beastie Boys

More rocking, rhyming japery from the coolest 30-somethings around (despite often looking like they walked straight off the set of Friends these days...), "Alive" is addictive as Benylin-flavoured ice cream (you listening, Ben & Jerry??) and more laid-back than a sloth on its holidays. A constant, excellently-produced and sampled set of old skool tones subtly provide the slick platform for ver beasties to wax lyrical about something other than their usual nonsense, concentrating as it does on social issues ("who in the world do you want to fight, it's against the system we should unite"), but without sounding like Guardian-reading liberals in the process.

"You + Me Together" is a fly, dope (like I know what I'm talking about...) instrumental that floats along on air-injected sneakers. "Big Shot (live)" is next, and is a fantastic rap / metal / punk roadkill milkshake just like the old "Licensed To Ill" days used to make, and is therefore fantastic. The video to "Alive" is last, and features the lads bouncing about (literally) like some strange hallucination from inside Gerry Anderson's head.

Rating: 8/10

"The Frank Sonata" by Longpigs

Longpigs, guilty of the most unexciting comeback ever, are also unforgivably guilty of a pun that makes Carter USM look like wits on a par with Oscar Wilde. Sadly the music does little to redeem matters, especially as "The Frank Sonata" sounds even more like U2 than their last one did. This band really had potential once - now it sounds as though all they have is a worn-out copy of "Zooropa".

Two remixes of the a-side follow, the first of which stretches the original out until it seems longer than the entire history of mankind; the second of which is slightly better as it sounds a bit like The Cure.

Take yer Longpigs and be off with you.

Rating: 3/10


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