17th November, 1997


Single of the Week

"Start Again" by Teenage Fanclub

Whilst everyone else is plundering elsewhere, the Fannies dip their sticky fingers in the Byrds' pockets. "Start Again", with its harmonies, jangly guitar and chirpy tune that sweeps through your stereo like a spring breeze (untopical, I know - so sue me) is a tasty piece of candyfloss - hardly vital, but hard to dislike. And in a sparse week, it's the best on offer by far.

First b-side "How Many More Years?" is a US-style bit of guitar lo-fi in the style of Galaxie 500 or - with its harmonica - Cowboy Junkies. Like those bands, the Fanclub understand the power of understatement, and the song's lack of production and pretension are its strengths. "Nothing To Be Done" closes the single, with an old-fashioned indie style strumalong featuring female vocals that brings back memories of Brilliant Corners, Mary Chain, Man From Delmonte, Wedding Present, Pastels and a host of other bands its unfashionable even to mention. Flying in the face of fashion then - commendation enough.

Rating: 8/10


The Rest

"Perfect Day" by Everyone And Their Dog

How Lou Reed must have laughed (if he can). Earnest pony-tailed BBC execs come grovelling to Reed Mansions, asking if his mighty bittersweet opus "Perfect Day" can be used in a charity fundraising campaign. With a despotic wave of his hand and a shake of his rat-infested mane he grants them permission, the fact that the song may or may not be about class A drug abuse causing him some amusement. Then he turns back and dusts down "Heroin" for use as this year's Salvation Army single...

This you know by now. The BBC "advert" for itself featuring the good (Boyzone, Brett), the bad (Bono, her from M People), the ugly (Elton f***ing John) and all the old farts you've never seen in your life before. As a concept, it works quite well, and the seamless flow from one artist to another is pretty slick. But the best bit by far is the inclusion of the divine Shane MacGowan, with his slurred "it's such fun" contribution. Spaced-out old dipso he may be, but him and Lou were probably the only ones clued-up enough to realise the inappropriateness of the song.

B-sides are a Male Version and a Female Version (Elton and Brett are in them both). Sadly there is no Shane Version.

Rating: 7/10

"Smack My Bitch Up" by Prodigy

With any other title, this blistering, tumescent piece of techno-punk brilliance would have made it to the top. But...I just can't live with the title. It's not big, it's not clever and they certainly can't get away with saying it's meaningless. So, screw them.

"No Man Army" is the first b, and is the sound of a self-destruct mechanism in sci-fi hell counting down to its own oblivion. A dub remix of LP track "Mindfields" is the best thing on offer here (the original is a bit of brooding malevolence that would chase the likes of Portishead round the graveyard). A big long mix of "Smack" follows and shouldn't have bothered.

Rating: 1/10


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