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THE MUSIC OF THE BAKA FOREST
PEOPLE
Musical
Instruments
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Click links on pictures to download wav file
Click on text to download RealAudio file
To stream longer sound files go to Real
Audio Page
(If you want to use samples of these
sounds for commercial releases, remember the Baka are
infinitely poorer than you are. We can get funds to them via
"One
Heart"
let
us know!
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Most of the ritualistic
music is composed of voice and percussion however the Baka
have a number of unique musical instruments. Often one
person will sit on their own and play an instrument for
their own amusement. Others might then join in, either
singing in their soft voices, or clap along or join in with
shakers, two sticks or other percussion. I will describe the
instruments that we came across during our stay with the
Baka
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Earth Bow (angbindi)
(70KB.wav)
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This single stringed instrument is built using the
earth itself as a sound-box. A hole is dug and a thin piece
of wood placed over it and pegged firmly down. A pliable
sappling is driven into the ground about a metre away from
the hole. A cord is attatched to the centre of the board
covering the hole and the sappling is bent down and also
attatched to the cord. The cord is plucked while the string
tension is altered by pushing the end of the sappling down
or up. The construction of the earth bow is very like some
of their snares and is often made when on hunting trips.
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Limbindi
(303KB.wav)
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The limbindi is another musical bow, but it is
only played by the women and girls. A thin vine is used as
the string and a strong pliable and elastic branch is used
to make the bow.
To change the pitch of the notes the string of the
limbindi is held under the players chin. As they play they
slide their chin forwards and back making the pitch go up
and down. Traditionally a large leaf is held under the
limbindi to reflect the sound back to the player, but today
they usually sit on the ground to play and place the
limbindi on an upturned cooking pot which acts as a sound
box.
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As can be seen in the photo, the string doubles back on
itself. The shorter string is played with the thumb of one
hand. This defines the beat. Although this string is shorter
it is forming a smaller arc on the bow and so is under less
tension than the longer string and provides a bass note. The
melody is played with the other hand on the longer string
using a plectrum made from a small piece of wood or
bark.
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Ngombi
(384KB.wav)
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This is probably the most beautiful of the Baka's
instruments. "Ngombi" is to a certain extent a generic term.
For example they will call a guitar a "ngombi". The full
name for the instrument I am about to describe is the
"ngombi na pekeh" or the "ngombi made from the raphia palm"
which indeed it is.
The ngombi can be anything from about one to two metres
long. They have four strings with a bridge in the centre
making 8 separate notes. It is played on the lap, one hand
plucking the strings to the left of the bridge, the other
plucking the strings to the right. The music is usually
repetetive patterns that accompany singing. When played at
night accompanied by the songs of the insects and the Baka's
gentle voices it is a very hypnotic magical instrument. It
is very similar to the "mvet" or "midnight harp" that is
found in the forests further north in Cameroon.
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The strings of both the ngombi and the mvet are
traditionally made from fibres that are found in the stem of
the palm used to make the body, but today often they use
wire strings which they unravvel from their snare cable.
This gives the instrument a different tone and the strings
last longer.
hear the ngombi
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Ieta

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This 7-stringed instrument
originates in Central Africa and is not a traditional Baka
instrument. It has been adopted by the Baka over the last 30
years or so and is commonly played by both men and
women.
The strings are made from nylon fishing line. These are
attached to a wooden neck and a sheet of tin (flattened
piece of tin can) which covers a wooden sound box. It is
held with the neck away from the player, the strings being
plucked from both sides.
hear the ieta
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