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Early cards from the 'Musee de Boulag', Ralph & Co., Cairo
Statue of Thothmes 111
" This statue was found
by M. Legrain at the Temple of Karnak. Thothmes has here the peculiar facial type so
characteristic of the representations of the period, in which the eyes are almond-shaped
and slightly drawn down at the inner corners. This must have been the type common at that
time in the royal family; for it would otherwise be difficult to understand why the
artists of the period should have shown such a strong preference for it over the other
Egyptian types. Even at the present day, this very Thothmes face with its strong high nose
extending down a bit beyond the nostrils, may often be seen in Egypt especially in the
Theban neighbourhood."
Statue of Prince Menthesuphis

"The group of which this
statue is a part was found by Mr. Quibell near the foundations of the early temple of
Hieraconpolis where it had been intentionally buried in ancient times. Made of beaten
copper, the statue shows complete mastery of the material. The soft lines of the youthful
prince could hardly have been better executed in wood. He is walking, happy smiling,
beside the dignified figure of his royal father, Pepy. As eldest son and heir apparent to
the throne, his forehead is already adorned with the royal cobra (uraeus). But the cobra
was probably of gold and therefore removed before the burial of the statue. The ears also
which must have been visible under the short hair, have been torn off. But this mutilation
does not detract from the effect of the head. The Museum authorities have had the wisdom
to refrain from any attempt at removing the thick patina. The present artistic effect of
the slightly indistinct features would thereby have been lost; and a much less correct
impression of the original, conveyed by the corroded copper surface underneath."
Statue of a Ramesside Queen
" Tradition and the influence of forms
sanctioned by tradition played a great part in the treatment of statues designed for a
place in a temple. The influence of tradition was still greater when the person portrayed
was represented in his ceremonial insignia. In such cases, even the modern world clings to
the ancient forms or even seeks to revive disused older forms. So this statue of a Queen
of the time of Ramses 11 found by Prof. Petrie in the Ramesseum shows the archaistic
tendency of statues made under the influence of tradition. Although the heavy golden
necklace, the large earrings and the great wig with its multitude of little plaits, are
part of the fashion of the time, the rest of the costume consists of ancient, almost
prehistoric symbols the wearing of which was a peculiar right of Queens of Egypt. On the
forehead, two cobras (uraeus-serpents) stand erect, - one with the red crown of Lower
Egypt, the other with the white crown of Upper Egypt. On the head is a crown made of a
band of erect cobras each bearing a sun's disk on its head. The greater emblems which
rested on this crown have mercifuly disappeared or they might seriously distract the
attention from the soft modelling of the Queen's face. The nose is unfortunately broken
off. The artist in this case produced a remarkable result with the simplest means. A line
in the eyelid, a pair of them in the neck, and otherwise smooth surfaces, work together to
form a lovely lifelike woman's face. "
Head of the Goddess Mut
" The
Egyptians have not only conceived a number of their gods in anthropoid form; but each
Egyptian artist has even given them the likeness of the royal family of his day. Curiously
enough this very statue was for a long time considered to be a portrait of a princess of
the 18th Dynasty, although the head-dress indicates clearly the contrary. Afterwards
however, a number of additional fragments were found by M.Legrain which prove conclusively
that this is a statue of the goddess Mut. As it is a colossal statue, the artist has very
skilfully taken into consideration the fact that the face would be seen from below. He has
made the eyes look down and set the ears high in order to preserve in appearance the
proper proportions."
Statue
of the Village Sheikh
"This statue was found by Mariette in the funerary chapel of a tomb of the fifth
dynasty at Saqqara. The use of the wood, perhaps the most tractable of material at the
service of the Egyptian sculptor, has in this case enabled the artist to produce the
greatest imaginable likeness to life. The statue shows a stout, jovial official of the
name of Ka-oper in the attitude so often shown in the reliefs where well-to-do people are
represented inspecting their flocks and fields. The good-natured expression of the face is
rendered very life-like by the clear eyes, made of inlaid quartz and crystal; and the
likeness to life is increased by the absence of the artificial head-dress which makes so
many Ancient Egyptian portraits look strange to us. The erect head, with its high finely
modelled forehead surrounded with short slightly wavy hair, with its full cheeks, rounded
nose and slight double chin, presents a type often seen today among the more prosperous
peasant landowners. It was this fact which led Mariette's native workmen, always quick to
note individual characteristics, to call this statue 'the village
sheikh'."
Sesostris
1
Ranofer (VDyn)
Ti (VDyn)
Amenhotep,Hapu
Dedefre
(1VDyn)
Ramses V1
Deir-el-Bahri cow
Mask
(XIXDyn)
Khnumhapi
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