              Copyright
Helen Forder
2004
|
The National
Music of Wales
John
Thomas (Pencerdd Gwalia)
from Y Cymmrodor January 1878 |
| In the
mythological traditions of Pagan nations we find
the invention of their music and musical
instruments attributed to their gods, or to
superhuman beings of a godlike nature; which may
account for the art being called to this day -
the divine art. Some of these traditions are not
only interesting but highly amusing; and the
following legend as given by Carl Engel, in his Myths
and Facts, is worthy of notice:- |
 |
"In the Finnish
Mythology, the divine Vainamoinen is said to
have constructed the five-stringed harp,
called Kantele, the old national instrument
of the Finns. The frame he made out of the
bones of the pike, and the teeth of the pike
he used for the tuning-pegs. The strings he
made of hair from the tail of a spirited
horse. When the harp fell into the sea and
was lost, he made another, the frame of which
was of birchwood and the pegs of the branch
of an oak-tree. As strings for this harp he
used the silky hair of a young girl.
Vainamoinen took his harp, and sat down on a
hill near a silvery brook. There he played
with so irresistible an effect that he
entranced whatever came within hearing of his
music. Men and animals listened enraptured;
the wild beasts of the forest lost their
ferocity; the birds of the air were drawn
towards him; the fishes rose to the surface
of the water, and remained immovable; the
trees ceased to wave their branches; the
brook retarded its course, and the wind its
haste; even the mocking echo approached
stealthily, and listenend with the utmost
attention to the heavenly sounds. Soon the
women began to cry, then the old men and the
children also began to cry; and the girls,
and the young men - all cried for delight. At
last Vainamoinen himself wept, and his big
tears ran over his beard, and rolled into the
water, and became beautiful pearls at the
bottom of the sea."
|
| There was
also the same tendency to immortalise those who
displayed transcendent genius in the art of
music. |
At the
death of Pythagoras, the celebrated Greek
philosopher and musician, so great was the
veneration of his countrymen for him, that he
received the same honours as were paid to the
immortal gods; and his house became a sacred
temple.
Blegwryd ab Seisyllt, a British king, who
flourished about 160 years before the Christian
era, being a great musician and performer upon
the harp, received the appellation of "God
of Music". |
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