              Copyright
Helen Forder
2004
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'By the
Roman invasion, and the more barbarous incursions
of the Saxons, the Danes and the Normans, and the
emigration of the Britons to Armorica (1); by the frequent destruction of
MSS (2),
and the massacres of the Clergy (3), and the Bards; the Poetry and
Music of Wales have suffered a loss, that has
thrown a dark cloud over the history of those
native arts, and for a long time threatened their
total extinction. Yet from the memorials still
extant, and the poetical and musical compositions
which time has spared, we are enabled often to
produce unquestionable evidence, and always to
form a probable conjecture, concerning their rise
and progress among us. There is no living nation
that can produce works of so remote antiquity,
and at the same time of such unimpeached
authority as the Welsh.' [NOTES]
From An
Historical Account of the Welsh Bards and their
Music and Poetry; Musical and Poetical Relicks of
the Welsh Bards, by Edward Jones. |
'[The
Welsh] play three instruments, the harp, the pipe
and the crwth ...'
'When they play their instruments they charm and
delight the ear with the sweetness of their
music.'
'When they come together to
make music, the Welsh sing their traditional
songs, not in unison, as is done elsewhere, but
in parts, in many modes and modulations. When a
choir gathers to sing, which happens often in
this country, you will hear as many different
parts and voices as there are performers, all
joining together in the end to produce a single
organic harmony and melody in the soft sweetness
of B-flat.'
From The
Description of Wales, by Gerald of Wales,
translated by Lewis Thorpe. |

Illustration from Musical and
Poetical Relicks of the Bards by Edward Jones |
'If you
want to know whether the Welsh are a substantive
historic race, go and listen to their music.'
W.E.Gladstone (on
Snowdon,13th September 1892)
'Wales
is pre-eminently the land of song; in no other
country in the world has poetry and music entered
so largely into the national life of its
inhabitants.'
Both excerpts from Cambrian Minstrelsie,
edited and harmonised by Joseph Parry, Mus.
Doc. (Cantab.) |
'Welsh music is essentially harp
music, and exhibits in almost every phrase
evidence of the influence of the instrument upon
its development ...'
'... the late director of the Brussels Royal
Academy of Music, in his History of Music, thus
refers to the antiquity of the Welsh, and their
music. "In Gaul as well as in the
country of the Welsh nation, there were priests
who were called Druids, who celebrated their
mysterious rites in the forests, and bards or
musical priests who sang the glory of Heroes. But
there is the difference between Gaul and the
country of the Welsh, inasmuch as the latter
still preserve their bards, and that the Cambrian
or Celtic language is still cultivated by them,
and moreover that their music still maintains its
primitive type. There is something remarkable in
this now interminable succession of Welsh bards
for two thousand years, and that the preservation
intact of their language and their Celtic music,
in a country so long ruled over by the Saxons.''
'
From the
Preface to The Songs of Wales, edited by
Brinley Richards. 1873. |
Read an essay by
John Thomas (Pencerdd Gwalia) on
The National
Music of Wales |
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