2nd year Lecture notes: by
Michael Moor
Proxemics:is
the study of cultural, sociological and psychological implications of relative
distances, shapes and domains within space.
The ‘psychology’ of Proxemics … ‘size matters!’
There are three main types of spatial
organisation
n
Informal:
A space with no obvious rules of use or
conventions of spatial distribution.
n
Semi-fixed:
Most human spaces are in this
category from open spaces such as parks to the ‘built in conventions’
of use in our homes such as a kitchen and bathroom. Other
rooms also allow some flexibility
of use. (a bedroom could also function as a living
room, for example.)
n
Fixed:
Theatres and cinemas could be described
as
‘fixed’ because once inside a deliberate and complex
‘system’ of ‘rules’
of usage apply.
Think an Informal space
near your
home
…
and a Fixed space (besides a theatre or cinema) near your home?
Proxemics can clearly be applied to the performing arts.
For example
n
To lend an understanding to the
complex relationship between audience and performer.
Performance space can be further
categorised as:
n
The Dedicated Space. The DNT is a dedicated space.
n
The Occasional Space. The Occasional Space is generally any other
space used or adapted for performance.
Proxemics as a basis for understanding what we see?
n
Volcano Theatre’s production of
‘The Town That Went Mad’. Clearly can be seen in the context of proxemics.
•The
cube construct; a ‘domain (that moved) within a space’ was an
effective and clever use of proxemics. This
construct can be seen as informative (in the specific context of the play) of
the ‘feeling of claustrophobia’ that living in a small town might
induce.( It was also used in a number of other inventive ways).
It must be remembered that special circumstances and conventions exist that
often re-defines the ‘rules’ of proxemics.
Discuss … briefly...How, where
and why?
n
Drink
n
Drugs
n
Crowded public
transport.
n
Football matches
n
Parties and night clubs
The Manchester Royal Exchange!
n
A near perfect example of the use of proxemics in theatre design.
n
No member of the audience (a potential 750) is further than 30ft
from the performance!
Further
Reading: Hamilton,J. Performance. p19-26
