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Lecture 10

Vaslav Nijinsky: the first male star of the ballet

Born in Kiev 1890

Died London 1950

Trained: Imperial School of

Dancing: St.Petersburg

1898-1907

Both his parents were celebrated Dancers

His father gave him his first lessons and he performed with his parents, brother and sister until he started his training in St.Petersburg

Nijinsky: fact file

      1907: After a brilliant school career under the instruction of Enrico Chechetti he joins the Mariinsky Theatre in St.Petersburg as a soloist.He dances the classics.

      1909: He joins Sergey Diahilev’s Ballet Russes. Michel Fokine is the principal choreographer

Fokine creates for Nijinsky

      Le Spectre de la rose

      Petrushka

      Scheherazade

Serge Grigoriev: Rehearsal Director of the Ballet Russes.

"May the 19th, 1909, was a great day in the history of the Russian Ballet of Serge Pavlovich Diaghilev; for it was on that day that it gave its first public performance. Thus began an enterprise that was destined to last twenty years: to create an enormous repertoire; to bring up several generations of wonderful dancers; to raise the art of ballet to great heights; and to diffuse it all over the world."


Nijinsky partnered some of the great ballerinas: Anna Pavlova

 

Tamara Karasina

During the period:        1907-1911

      Nijinsky performed with Mariinsky, the Bolshoi and the Ballet Russes!

 

However Nijinsky’s legend is without a doubt linked to Diaghilev

Without the driving force of Diaghilev

…the talent of Nijinsky would never have been seen outside of Russia..

Legend has it that Diaghilev manipulated Nijinsky’s departure from the Mariinsky Theatre

…apparently Nijinsky danced without a ‘dance support’… and was fired!

Whatever the truth is about stories such as this there is little doubt that Diaghilev had a strong influence on Nijinsky!

…they were lovers!

Nijinsky’s relationship with Diaghilev was a ‘love hate’ one

…there are a good many references to Diaghilev in his famous Diary that is now re-issued and re-evaluated.

The Diary is now seen as a unique study of an artist entering into insanity..

…he wrote it in less than a week

He had a nervous breakdown at the age of 29 in 1919

…he never recovered!

He was further diagnosed as suffering from schizophrenia

He died in London in 1950

      Marie Rambert founded her ballet company and school for Nijinsky at the Mercury theatre

His Choreographies include:

      1912: L’Apres-midi d’un faune

      Jeux

      Le Sacre du printemps

      Till Eulenspiegel

 

Features of his work:

A rejection of his ballet training is evident…the use of ‘turn in’ rather than ‘turn out’

Diaghilev supervised most of his work, he took him to galleries and museums and showed him the Greek Friezes and Greek statues amongst other things

…Isadora Duncan also influenced him, he had seen her perform

Some of Nijinsky’s collaborators.
Stravinsky: Music

Costume. Bakst and Benois

The legend of Nijinsky relies not only in the fact that he was a virtuoso ‘dancer noble’ but also on the fact that the Ballet Russes fused a number of Art forms together…to produce a phenomenon.

There is little doubt that scandal and glamour were also part of the allure of the Ballet Russes

Nijinsky was probably the first male icon of the ballet. His life reflects the demands, sacrifices and strains that are possible in the ballet world as well as the rewards …in the case of Nijinsky immortality!

None of his work remains intact. We have re-creations only.  His work was judged highly original and provocative at the time.

The Royal Ballet recently (April 2000) revived a number of the Ballet Russe's works including some of Nijinsky's ... Rite of Spring and Afternoon of a Faune  are still in the rep of a number of dance companies and are often reworked and re-visited in a number of ways .... the spirit of Nijinsky could be said to dance on...

Nijinsky's ability as a star ... directly influenced the work that was produced ... in turn his abilities influenced future dance content  and audience expectation... the status of the male dancer was elevated by Nijinsky.

 The perceived male dancers sexual orientation and temperament was also set by Nijinsky. This it could be argued  was part of his drawing power as a star and could be seen as a separate issue though clearly  linked to his artistic achievements in terms of him 'speaking' to or from in part at least a culturally suppressed gay perspective.

His life and work take on added 'meaning' with this gay perspective coupled to his drift into madness.

Reference List

Diaghilev (Buckle)

The Nijinsky Diary (Nijinsky)

I found this website, the content was very reasonable, with some great pictures!

      Web site: Http://www.staff.dmu.ac.uk~jafowler/diagil.html