Mick Molloy & Martin Brown


Traditional Irish (and other) Music played on Guitars and Mandolins


ESCAPADE


CD available £12 p&p included


Sound Clips


Hewlett


Father Kelly's


The Orkney Tune


REVIEWS


Mick & Martin

Side one opens with three jigs; ‘Out on the Ocean’ and ‘T’athair Jack Walsh’ are well known old session tunes picked up from around and about I’m sure. Mick got ‘Creeping Docken’ from the playing of Arty McGlynn. ‘Hewlett’ is a lovely waltz-time tune by the Irish composer Turlough O’Carolan (1670–1738) which I learnt years ago from a Planxty record. ‘The Blackbird’ is a fabulous set-dance tune which never fails to delight us – our version comes from the playing of Paddy Keenan. Two cracking reels follow; ‘The Silver Spire’ and ‘The Hunter’s Purse’, both of which I learnt from Mick. Mick knows the next tune as ‘The Leitrim Fancy’, although it seems to be more commonly known as ‘The South Wind’. Then comes a jig, also called ‘The Leitrim Fancy’, which we learnt from local whistle-player Elizabeth Nicholson (whose family come from Leitrim). Two reels: ‘Father Kelly’s’ is a stalwart session tune. Mick heard ‘Tam-Lin’ played by Chris Fyfe, a mandolin-player from Hastings. Enquiries revealed possible origins as far afield as Donegal and even Alaska! – but Steafan Hannigan now assures me it was written by Finbar Furey. Well. Tam-Lin by the way is the hero of a Scots ballad. We end Side One with our impromptu version of ‘Blind Mary’, another fine tune by O’Carolan. We learnt it from the playing of Martin Carthy and Dave Swarbrick. Apparently, the Mary in question was, like Carolan, a blind harpist.

We kick off Side Two with a lovely tune from Orkney which we call ‘The Orkney Tune’ (!) and we learnt it from our old friend Aimée Leonard. It may well be by Ivan Drever. Two jigs next; ‘The Pipe On The Hob’ is a fine standard, whilst ‘The Dusty Windowsill’ is, I’m told, an Irish-American tune. I learnt it from the Lancashire fiddler Kirsten Hammond. ‘The Cuckoo’s Nest’ is an English Morris tune which pops up in many forms all over the place. Here we combine an Irish setting of the tune with the Longborough version, and they don’t quite fit! – keeps us amused anyway – learnt from recordings of DeDanann and John Kirkpatrick respectively. Next we play two reels. ‘Danny Meehan’s’ is also called ‘Jackson’s Reel’, whilst ‘Tuttle’s Reel’ has another name neither of us can remember. I learnt both from Mick. A final tune from Carolan, ‘Carolan’s Concerto’ is said to have been composed on the spot, in order to confound a visiting Italian virtuoso and general know-all! We finish this collection with a quite varied set of tunes. ‘Midnight On The Water’ is a lovely Texan waltz which Mick has played since his days with Alias Ron Kavana. This leaps suddenly into an 18th Century English tune. ‘The Quickstep to the Battle of Prague’ comes from the great Northamptonshire poet, fiddler and early folk collector, John Clare (1773–1864). Finally ‘Kate Dalrymple’ is a Scottish polka, and I got it from the playing of Dave Swarbrick.




Mick

Mick Molloy was born in Ballina, Co. Mayo and was raised in Dublin. Mick started out playing skiffle. By the time he left school he was playing in Showbands, which provided him with a good grounding in a variety of musical styles - and almost put him off country music for life!

Circa '63, Mick teamed up with Ian Whitcomb and Bluesville - one of Dublin's very first beat groups - chalking up a Top Ten hit in America with "You Turn Me On" in June '65. - "The first Irish Rock single of note" (Irish Rock)

Moving to London in the early '70’s he became a founder member of Bees Make Honey. "one of London's best loved Pub Rock bands" (Happy doin' what we're doin')

In the mid '80's he joined forces with Ron Kavana to form Night Beat, later to become Alias Ron Kavana. - voted best live band '89-'90, '90-'91 (Folk Roots) with whom he has recorded several albums and played a vast number of festivals at home and abroad.

Also to be seen playing with The Zodiacs, The Bastards, The Balham Alligators and The Four Oysters.




Martin

Martin Brown. born in 1962, is from Braydon, North Wiltshire. After leaving school he played guitar and piano in various local rock bands until 1986, when he moved to Greenwich, London, to try for a music career. Extensive live and studio work followed; however, by 1990 he found that he had gravitated back to his early love - folk music. Meeting Mick Molloy on the S.E. London Irish session scene, he has subsequently played with Kevin Burke, Ron Kavana, Steafan Hannigan, Mick Black, Olly Blanchflower, Ashley Reed and has supported such acts as Andy Irvine and the Barely Works. Apart from working with Mick, he is also embarking on a solo project of interpretations of traditional songs and tunes of the North Wilts./South Cotswolds region. He is a well-known face on the S.E. London music scene and regularly appears with Deptford's Anglo-Celtic beat combo - Hollvedel.

Also to be seen playing with Dave Sutherland.




Folk on Tap Apr-Jun 2000 Issue 83

Mick Molloy & Martin Brown "Escapade"

... A guitar, mandolin and mandola duo which sparkle from first to last note, these two are sheer instrumental delight. As this was recorded in 1994 (which suddenly sounds even longer ago) it is a mystery as to why it has taken so long to emerge. The sleeve notes detail a list of tunes and their origins for those interested in the musicography. For those who just enjoy a good listen, this dances, trips, tiddles and entertains most delightfully. Pure and simple acoustic music at its very best.

Jon Sims



Last updated October 2001

mickmolloy1@hotmail.com


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