Booklist and Book Reviews A-L

An international list of books on contemporary feminist art practice

ISSN 1462-0426

Send any suggestions for books you feel should be added to this list to:-
k.deepwell@ukonline.co.uk

Links on book titles will take you to a review of the book
Use anchor index to search by name of author.

For a list of books by country and of international exhibitions of feminist art and women artists, follow the links.
A B C D E F G H I J K L for books, listed M-Z, click here

For a list of journals with special issues on contemporary women artists and women's art practice click here

A

• Sonia Abadzieva Deep Breathing (Skopje: Skenpoint, 2001)
• Parveen Adams The Emptiness of the Image: Art and Psychoanalysis (Routledge,1995)
• Alison Ader and Julia Church True Bird Grit: A Book About Canberra Women in the Arts, 1982-1983 (Australia, Canberra: Acme Ink, 1982)
• Leena Ahtola-Moorhouse Salme Sajas-Korte, Soili Sinisalo Sieben Finnische Malerinnen = Malerinder fra Finland (Exhibition Catalogue, Denmark: Copenhagen, Statens Museum fur Kunst, 1983)
• Magarita Albrecht So Oder So (exhibition catalogue, Berlin: Goldrausch, 1990)
• Anna Alchuk (ed) Woman and Visual Marks (English title of Russian text) (Moscow: Idea Press, 2000)
• Edith Almhofer Performance Art: die Kunst zu Leben (Wien: Bohlau, 1986)
• Aracy Amaral and Paulo Herkenhoff UltraModern: The Art of Contemporary Brazil (Washington DC: National Museum of Women in the Arts, 1993)
• Caroline Ambrus The Unseen Art Scene: 32 Australian Women Artists (Woden: ACT: Irrepresssible Press, 1995)
• Barbara Amesbury Survivors: In Search of a Voice: The Art of Courage (exhibition catalogue, Canada: Wood Lawn Arts Foundation, 1996)
• Branislava Andelkovic Uvod u Feministicke Teorije Slike (Belgrade: Centar za Savremenu Umetnost, 2002). anthology of translated feminist art texts in Serbian.
• Andere Orte - Überall (exhibition catalogue, Hannover, Reichold im Auftrage von Agora - Platz der Frauen e.V., 1995 curator: Regine Othmer)
• Edit Andreas and Gabor Andrasi Vizproba: Water Ordeal (exhibition catalogue, Obuda Club Gallery, Budapest, publisher: Obudi Tarsaskor, Budapest)
• Gabor Andrasi (ed) Erotics and Sexuality in Hungarian Art (Budapest: League of non-profit art spaces, 1999)
• AAWAA Cheers to Muses: Contemporary Works by Asian American Women (American Asian Women Artists Association, 2007)
• Gil Appleton Women in the Arts: A Study by the Research Advisory Group of the Women & the Arts Project (Australia: Sydney, Dec 1982)
• Ida Applebroog Nothing Personal: Paintings, 1987-1997 (USA: DAP/Corcoran Gallery of Art, 1998)
• Andere Avantgarde : film, performance, music (exhibition festival, curators: Clauda Preschl, Andrea Stadlmayr, Sabina Unger, Austria: Linz, 1983)
• Alice Andersen Konnets Aesthetiik : bidrag til en ‘betydelse’ af kvindeligheden (Denmark: Aarhus Universitets Forlag, 1989)
• Maya Angelou, Theresa Robinson et al. Bearing Witness: Contemporary Works by African American Women Artists (New York, Rizzoli, 1996)
• Ankara Women Painters Association / Ankara Kadin Ressamlar Dernegi (founded 1970) (catalogue of association, Turkey: Ankara, 1994)
• Valentine Anker La Releve des Muses: entrietiens avec des femmes artistes (Switzerland, Lausanne: L’Age d’Homme, 1983)
• Diane Apostolos-Cappadonna, Lucinda Ebersole Women Creativity and the Arts: Critical & Autbiographical Perspectives (New York: Continuum, 1995)
• Marie Rose Arbour Art et Feminisme (Canada: Quebec, Musse d’Art Contemporain, Montreal & Ministere des Affaires Culturelles,1982)
• Marie Rose Arbour, Nycole Paquin, Marie Carani Creation/ femmes (Quebec: Galerie d'Art du Grand Theatre de Quebec,1989)
• Carol Armstrong; Catherine de Zegher (eds) Women Artists at the Millennium (Cambridge: MIT Press, 2006)
• Ulla Arnell, Sigrid Schade et al: Vera Frenkel: ... from the Transit Bar / Body Missing http://www.yorku.ca/BodyMissing (Stockholm, Kungl. Konsthogskolan, Skeppsholmen, 1997)
• Marion Arnold Women and Art in South Africa (Cape Town: David Phillip, 1996)
• Marion Arnold and Brenda Schmahmann Between Union and liberation : women artists in South Africa 1910-1994 (Aldershot : Ashgate, 2005).
• Alejandro Arosetegui Mujeres (Nicaragua: CODICE: Galeria de Arte Contemporaneo, 1993)
• Artistas Espanolas en Europa (Germany Stuttgart: Haus der Wirtschaft, 1990)
• Alejandro Arostegui Mujeres 19 Maoy-2 de Junio de 1993 (exhibtion catalogue, Nicaragua, Managua: CODICE, Galeria de Arte Contemporaneo, 1993)
• ARSIS Women in the Arts: Changing Landscapes (Arts Council of Finland: Vol 2 2000)
• Elisabeth Ashburn Lesbian Art: An Encounter with Power (Australia: Craftsman House, USA: Gordon and Breach, 1996)
• Virginia Ayllon and Fernando Machicado Vola entre Sonidos,Colores y Palabras (mujer y actividad cultural en la prensa boliviana, 1991) (Bolivia: La Paz: CIDEM, 1992)
• Axis Gender, Media, Art (CD-Rom: Netherlands, Amsterdam: Axis, Bureua Voor de Kunsten, 1999)

B

• Renee Baert (ed) Territories of Difference (Alberta: Banff, Walter Philips Gallery, 1993)
• Renee Baigell & Matthew Baigell Peeling Potatoes, Painting Pictures: Women Artists in Post-Soviet Russia, Estonia & Latvia, The First Decade (New Brunswick, New Jersey: Rutgers University Press, 2001)
• E. Baker and T.Hess (eds) Art and Sexual Politics (New York,London: 1971)
• Irina Bakanova and Nataliya Kamenetskaya Gender: Aspects of the Visual Arts of Northern and Central Russia (Russian State University for the Humanities, Museum Center and The Creative Workshop, INO, 2007). Text in English and Russian.
• Mieke Bal Louise Bourgeois’ Spider: the Architecture of Art-Writing (Chicago: University of Chicago Press, 2001)
• A. Banti Quando Anche le Donne si Misero a Dipingere (Italy: Milan, 1982)
• P. Barnett The Subversive Stitch (Exhibition Catalogue, Manchester: Cornerhouse Art Gallery, 1986)
• Orla Barry Foundlings (Brussels: Argos, 2002)
• I. Barta, Z. Breu, D. Hammer-Tugendhat, U. Jenni, I. Neirhaus, J. Schobel Frauen: Bilder: Manner: Mythen: Kunsthistoriche Beitrage: Kunsthistorikerinnin-Tagung in Wein (Berlin: Dietrich Reimer Verlag, 1987)
• Christina Barton and Deborah Lawler-Dormer (eds) Alter/image : feminism and representation in New Zealand art, 1973-1993 (Wellington, N.Z. : City Gallery, Wellington, Wellington City Council, 1993).
• Eli Bartra (ed) Crafting gender: Women and Folk Art in Latin America and the Caribbean (Durham: Duke University Press, 2003)
• S. Baumgart, G. Birkle, M. Fend, B. Gotz, A. Klier, B. Uppenkamp Denkraume:Zwischen Kunst und Wissenchaft: 5.Kunsthistorikerinnin-Tagung in Hamburg (Berlin: Dietrich Reimer Verlag, 1993)
• Alison Beale & Annette Van Den Bosch (eds) Ghosts in the Machine: Women and Cultural Policy in Canada and Australia (Toronto: Garamond Press, 1998)
• Angelika Beckmann Begriefungskrafte: Kunstlerinnen Heute (Germany, Karlsruhe: Badischer Kunstverein, 1995)
• Ditta Behrens Frauenkunst oder Kunst von Frauen,Kunstlerinnen in den 70er Jahren: Der Grosse Unterschied. Die Neue Frauenbewegung der Siebziger Jahre (Berlin: Elefanten Press, 1988)
• Elizabeth Biasio 'The Burden of Women - Women Artists in Ethiopia' New Trends in Ethiopian Studies: Papers of the 12th International Conference of Ethiopian Studies (New Brunswick: The Red Sea Press & Michigan State University, 1994, pp. 304-333)
• Ursula Biemann Been There and Back to Nowhere: Gender in Transnational Spaces (post-production documents, 1988-2000) (text in German and English) (Berlin: b_books, 2000)
• Kyra Belan Earth, Spirit and Gender: Visual Language for the New Reality (American Heritage, 1997)
• Gerald L and Margaret L. Belcher Collecting souls, gathering dust : the struggles of two American artists : Alice Neel and Rhoda Medary (New York : Paragon House, 1991).
• Renate Berger Malerinnen auf dem Weg ins. 20 Jahrhundert: Kunstgeschichte also sozialgeschichte (Germany: Cologne, DuMont, 1982)
• Renate Berger 'Und ich sehe nichtes,nichts als die Malerei'. Autobiographische Texte von Kunstlerinnen des 18. bis 20 Jahrhunderts (Frankfurt am Main, 1987)
• Renate Bertlmann Amo Ergo Sum (3 Vols) (Germany: Klagenfurt, Ritter Verlag, 1989)
• Rosemary Betterton An Intimate Distance: Women Artists and the Body (London: Routledge, 1996)
• Rosemary Betterton Looking On: Femininity in the Visual Arts and Media (Pandora/RKP, 1987)
• Rosemary Betterton Unframed: Practices and Politics of women's Contemporary Painting London: IB Tauris, 2004
• Arna Alexander Bontemps Forever Free: Art by African-American Women (Alexandria, Va.: Stephenson, 1980).
• Jane Blocker Where is Ana Mendieta? Identity, Performance and Exile (USA: Duke University Press, 1998)
• Lisa Bloom (ed) With Other Eyes: Looking at Race and Gender in Visual Culture (Minneapolis: University of Minnesota Press, 1999)
• Lisa E. Bloom Jewish Identities in American Feminist Art: Ghosts of Ethnicity (London & New York: Routledge, 2006)
• Natalie Harris Bluestone Double vision : perspectives on gender and the visual arts (Madison : Fairleigh Dickinson University Press ; London ; Cranbury, NJ : Associated University Presses, c1995).
• Jacqueline Bobo Black Women Film & Video Artists (London: Routledge, 1998)
• Barbara Bolt Art Beyond Representation: The Performative Power of the Image (London IB Tauris 2004)
• E. Bornay La Cabellera Fememina (Madrid: Libreria Mujeres, 1994)
• Susan Bowers/Ronad DoHerer Sexuality, the Female Gaze and the Arts: Women, the Arts & Society (Selinsgrove, Susquehanna University Press, 1992)
• Sylvia Bovenschen Die Imaginierte Weiblichkeit. Exemparische Untersuchungen zu Kulturgeschichtlichen und literarischen Praesentationsformen des Weiblichen (1979)
• Frances Borzello A World of Our Own: Women As Artists (London: Thames and Hudson, 2000)
• Tess Brady and Jenny Boult (eds) After the rage : South Australian women's art and writing. (Clarence Park South Australia : Tutu Press, 1983).
• Peggy Z. Brand & Carolyn Korsmeyer Feminism and Tradition in Aesthetics (Pennsylvanian: Penn State Press, 1995)
• Peg Zeiglin Brand (ed) Beauty Matters (USA: Indiana University Press, 2000)
• Mila Bredikhina and Katy Deepwell (editors) Gender, Theory and Contemporary Art Anthology, 1970-2000 (English title of Russian text) (Moscow: Rosspen, 2005) Text in Russian only. Anthology of translated feminist art texts from Western Europe and USA.
• Jane Brettle and Sally Rice Public Bodies/Private States: New Views on Photography, Representation and Gender (St Martins/ Manchester University Press, 1994)
• Gisela Breitling Die Spuren des Schiffs in den Wellen - eine autobiographische Suche nach den Frauen in der Kunstgesichte (Berlin, 1980)
• Gisela Breitling Der Verborgene Eros - Weiblichkeit und Mannlichkeit im Zerrspeigel der Kunste (Frankfurt, Aufsatze, 1990)
• Isabelle Bribosia, Pascale Wiedermann, Pascalle Willi ...Entre Femmes: Isabelle Bribosia, Pascale Wiedermann, Pascalle Willi (exhibition catalogue: Luxembourg: Casino Luxembourg, 2000)
• Deborah Bright Photography & Sexuality: The Passionate Camera (London: Routledge, 1997)
• Susie Bright and Jill Posener (ed) Nothing But the Girl: the Blatant Lesbian Image (USA: Cassell, 1996)
• Martine Brinkhuis Koppeltekens: vier Kunstenaarsparen vier Dialogen (Amsterdam: In de Knipscheer, 1993)
• Annette Brinkmann, Andreas Joh. Weisand Frauen im Kultur- und Medienbetrieb III: Fakten zu Berufssituation und Qualifizierung / Women in the Arts and Media: Qualification and Professional Outlook (Germany: Zentrums Fur Kulturforschung, 2001). German text, English summary.
• Betty Ann Brown (ed) Expanding Circles: Women, Art & Community (New York: Midmarch Arts Press, 1996)
• Betty Ann Brown Arlene Raven, Kenna Love, Alessandra Comini Exposures : women & their art (Pasadena, Calif.: NewSage Press, 1989).
• Norma Broude and Mary Garrard The Power of Feminist Art : Emergence,Impact and Triumph of the American Feminist Art Movement (New York: Harry N. Abrams, 1994)
• Norma Broude and Mary Garrard The Expanding Discourse: Feminism and Art History (New York: Icon Harper Collins, 1992)
• Norma Broude and Mary Garrard (eds) Reclaiming Female Agency: Feminist Art After Postmodernism (University of California Press, 2005)
• Nancy Buchanan (ed) Social Works (exhibition catalogue, Los Angeles: LA Institute of Contemporary Arts, 1979)
• Rosemarie Buikema, Anneke Smelik, Mieke Bal Vrouwenstudies in de Cultuurwetenschappen (Germany, Muiderberg: Coninho, 1993)
• Ursula Burke and Ruth Jones And the one doesn't stir without the other (exhibition catalogue, Belfast : Ormeau Baths Gallery, c2005).
• Janine Burke Field of Vision: A Decade of Change: Women’s Art in the 1970’s (Australia: Viking, Victoria, 1990)
• Cornelia Butler WACK! Art and the Feminist Revolution, (Massachussetts: MIT and Los Angeles: MOCA, 2007)

C

• Sophie Calle & Jean Baudrillard Suite Venetienne/Please Follow Me (Seattle: Bay Press, 1988)
• Gill Calvert et al Pandora's Box (Rochdale: Rochdale Art Gallery, 1984)
• Fiona Carson and Claire Pajaczkowska Feminist Visual Culture (Edinburgh: Edinburgh University Press, 2000)
• Emanuela de Cecco; Gianni Romano Contemporanee: Percorsi, lavoir e poetiche della artiste dagli anni Ottanta a Oggi (Milan: Editori Associati, 2000)
• Whitney Chadwick (ed) Confessions of the Guerilla Girls: How a Bunch of Masked Avengers Fight Sexism and Racism in the Art World with Facts, Humor and Fake Fur (London: Harper Collins, 1995)
• Whitney Chadwick (ed) Mirror Images: Women, Surrealism and Self-Representation (Boston: MIT Press, 1998)
• Annmarie Chandler; Norie Neumarkt (eds) At a Distance: Precursors to Art and Activism on the Internet (Boston: MIT Press, 2006)
• Kristin Chambers,  Ghada Amer, Nicole Eisenman, Shahzia Sikander, Lin Tianmiao, , Fatimah Tuggar Threads of vision : toward a new feminine poetics. (exhibition catalogue, Cleveland, OH : Cleveland Center for Contemporary Art, c2001).
• Helen C. Chapman (ed) Memory in Perspective: Women Photographers Encounters with History (Nexus Volume 3, London: Scarlet Press, 1997)
• Liana De Girolami Cheney, Alicia Craig Faxon, Kathleen Russo Self-Portraits by Women Painters (London: Ashgate, 2000)
• Cherchez la Femme (exhibition catalogue, curator Ursula Panhams-Buhler : Hamburg: Kunsthaus, Hamburg, 1995)
• Sandra Chesterman & Carole Shepheard Body Inscribed: Challenging Tradition (1999 : George Frazer Gallery) contributions by Judy Chicago & Amelia Jones.(New Zealand: CYSSY, George Frazer Gallery 1999).
• Judy Chicago Through the Flower: My Struggle as a Woman Artist (NY:Garden City/Doubleday/ Anchor, 1986)
• Judy Chicago The Dinner Party: A Symbol of Our Heritage (NY:Garden City/ Doubleday/ Anchor, 1986)
• Judy Chicago Embroidering Our Heritage: The Dinner Party Needlework (NY:Garden City/ Double day/Anchor, 1980)
• Judy Chicago The Birth Project (NY:Garden City/Doubleday, 1985)
• Danielle Cliche, Ritva Mitchell, Andreas Joh. Weisand Pyramid or Pillars: Unveiling the Status of Women in Arts and Media Professions in Europe (Germany: ARCult Media/ERICarts/ZfKf, 2001). See also website EricArts
• Coast-to-Coast Ancesters: Known & Unknown: Boxworks (touring exhibition from Coast-to-Coast, National Women Artists of Colour, 1996)
• Joyce Tenneson Cohen Insights: Self-Portraits by Women (London: Gordon Fraser, 1979)
• Georgia Collins, Renee Sandell Gender issues in art education : content, contexts, and strategies (Reston, Va. : National Art Education Association, 1996)
• Valerie Connor (ed) Anne Tallentire (Dublin: Project Press, 1999)
• Joan Copjec Imagine There's No Woman: Ethics and Sublimation (Cambridge, Mass: MIT press, 2003)
• COSAW Women's Collective Like a House on Fire: Contemporary Women's Writing, Art & Photography from South Africa (S.Africa: Fordsaw: COSAW Publishing, 1994)
• Laura Cottingham Seeing Through the Seventies: Essays on Feminism and Art (Amsterdam: G+B Arts International, 2000)
• Laura Cottingham [How many "bad" feminists does it take to change a lightbulb?] Combien de "sales" féministes faut-il pour changer une ampoule? : antiféminisme et art contemporain  introduction: Christine Bard.( Lyon : Tahin Party, 2000)
• Margaret Courtney-Clarke Tableaux d’Afrique: l’art Mural des Femmes de l’Ouest (Paris: Arthand , 1980)
• E. Cowie Representing the Woman (University of Minnesota Press, 199?)
• Christine Craig The Changing Status of Women in the Arts: A Preliminary Reference (Kingston,Jamaica: Women's Bureau, 1975)
• Crosscurrents / Krysninger (curator:Jennifer Lloyd) (exhibition Indian/Norwegian women artists, Riks-utstillinger/National Touring Exhibitions, 1997)
• Amanda Cruz, Amelia Jones, Elizabeth A.T. Smith Cindy Sherman: A Retrospective (London: Thames and Hudson, 2000)
• Bice Curiger/Jacqueline Burkhardt et al Meret Oppenheim: A Different Retrospective (DAP/Switzerland,Edition Stemmle, 1998)
• Cutting Edge Women's Research Group (eds) Desire by Design: Body, Territories and New Technologies (London, IB Tauris, 1999)
• Cutting Edge Women's Research Group (eds) Digital Desires: Language, Identity and New Technologies (London: IB Tauris, 2000)

D

• Flaudette May V. Datuin Home, Body, Memory: Filipina Artists in the Visual Arts,19th Century to the Present(Quezon City: University of Philippines Press, 2002)
• Dialogue with the Other (exhibition catalogue, curator: Lene Burkhardt. Denmark: Odense, Kunsthallen Brandts Klædefabrik,1996)
• Karen Mary Davalos  Exhibiting mestizaje : Mexican (American) museums in the diaspora (Albuquerque : University of New Mexico Press, 2001).
• Judith Fryer Davidov Women's Camera Work : Self/Body/Other in American Visual Culture (USA, Duke University Press, 1998)
• Cecily Davis Women Artists of Australia (Balwyn,Victoria: Five Milk Press, 1992)
• Katy Deepwell (ed) New Feminist Art Criticism:Critical Strategies (St Martins/ Manchester University Press,1995) and in Spanish Nuevo Critica Feminista de Arte (Ediciones Cathedra,Universitat de Valencia/Instituto de la Mujer, 1998
• Katy Deepwell (ed) Women Artists and Modernism (Manchester University Press/St Martins, 1998)
• Katy Deepwell Dialogues: Women Artists from Ireland (London: IB Tauris, 2005)
• Vidya Dehejia Representing the Body: Gender Issues in Indian Art (Delhi, Kali, 1997)
• Angela Dimitrikaki, Pam Skelton, Mare Tralla (eds) Private Views: Spaces and Gender in Contemporary Art from Britain and Estonia (London: Women's Art Library, 2000 with IB Tauris)
• Jennifer Doyle Sex objects : art and the dialectics of desire (Minneapolis, Minn. ; London : University of Minnesota Press, 2006).
• Aruna D'Souza (ed) Self and History: A Tribute to Linda Nochlin (London: Thames and Hudson, 2001)
• Nicole Dubreuil-Blondin 'Feminism and Modernism:Paradoxes' in B.Buchloh, S.Guilbaut, D.Solkin (eds) Modernism and Modernity: Vancouver Conference Papers (Nova Scotia College of Art and Design Press, 1983)
• Carol Duncan  The aesthetics of power : essays in the critical art history (Cambridge : Cambridge University Press, 1993).
• Dinah Dysart & Hannah Fink Asian Women Artists (Australia: Craftsman House, 1996)

E

• Gisela Ecker (ed) Feminist Aesthetics (London: Women's Press, 1985)
• Mary Beth Edelson The Art of Mary Beth Edelson (New York: Seven Cycles, 2002)
• Sylvia Eiblmayr,Valie Export, Monika Prischl-Maier (ed) Kunst mit Eigen-Sinn: Aktuelle Kunst von Frauen Texte und Dokumentation (Exhibition catalogue, Wien /Munchen, 1985)
• Silvia Eiblmayr Die Frau als Bild: Der Weibliche Korper in der Kunst des 20 Jahrhunderts (Berlin: Dietrich Reimer, 1993)
• Silvia Eiblmayr, Dirk Snauwaert, Ulrich Wilmes and Matthias Winzen (eds) Die verletzte Diva: Hysterie, Korper, Technik in der Kunst des 20. Jahrhunderts/The Wounded Diva: Hysteria, Body and Technique in Twentieth Century Art (Koln: Oktagon, 2000)
• Silvia Eiblmayr, Dirk Snauwaert, Ulrich Wilmes and Matthias Winzen (eds) Die verletzte Diva: Hysterie, Korper, Technik in der Kunst des 20. Jahrhunderts/The Wounded Diva: Hysteria, Body and Technique in Twentieth Century Art (Koln: Oktagon, 2000)
• G. Elinor, S. Richardson, S. Scott, A. Thomas and K. Walker (eds) Women and Craft (London: Women's Press, 1988)
• Kathryn Elder (ed) The Films of Joyce Wieland (Toronto: Cinematheque Ontario, 1999)
• Catherine Elwes Video Loupe: a collectin of essays by and about the videomaker and critic Catherine Elwes (London: KT Press, 2000)
• Kristin Elsby (ed) Difficult Territory: A Postfeminist Project (Australia, Sydney: Wolloomolloo/ Artspace, 1997)
• Aulikki Eromaki Zur Situation von Frauen in Kunstbetrieb: Dokumentation eines Seminar und Forschungsprojektes, 1983-1989 (Berlin: Hochschule der Kunste, 1989)

F

• Susanne von Falkenhausen et al. (ed) Medien der Kunst : Geschlecht, Metapher, Code : Beiträge der 7. Kunsthistorikerinnen-Tagung in Berlin 2002: Kunsthistorikerinnentagung (7th : 2002 : Berlin, Germany) (Marburg : Jonas, 2004).
• Farvens Krop (The Body of Colour) Nina Roos & Paula Modersohn-Becker (Denmark: Odense, Kunsthallen Brandts Klaedefabrik, 28 Aug-1 Nov. 1998)
• Phoebe Farris (ed) Women Artists of Colour: A bio-critical Sourcebook to 20th Century Artists in the Americas (Westport, Conneticut: Greenwood Press, 1990).
• Catherine Fehily, Jane Fletcher and Kate Newton I Spy: Representations of Childhood (London: I. B. Tauris, 2000)
• Catherine Fehily, Liz Wells, Kate Newton Shifting Horizons: Women's Landscape Photography (London: I.B. Tauris, 2000)
• Nina Felshin But is It Art? : The Spirit of Art as Activism (Seattle,Bay Press, 1995)
• The female imaginary  (Canada, Kingston, Ont. : Agnes Etherington Art Centre: 20 November 1994 to 12 February 1995)
• Feminine Presence: Israeli Women Artists in the 1970’s and 1980’s (Exhibition Catalogue, Israel: Tel Aviv Museum of Art, 1990)
• Feminale 1/83 (Austria: Wien: Studentinnen der Hochschule fur Angewante Kunst, 1983)
• Mathilde Ferrer & Yves Michard Feminisme, art et histoire de l’art (Paris: Ecole Nationale Superieure des Beaux-Arts, 1994)
• Feminist Art Program Art: A Woman’s Sensibility (Valencia: California Institute of the Arts, 1975)
• Feministische Kunst International (exhibition catalogue, Den Haag, Gemeente Museum & Amsterdam, de Appel, 1979)
• Feminist Narratives (exhibition catalogue, Australia, Melbourne University George Paton Gallery, 4-24 June , 1987: curator Juliana Engberg).
• Femscript : transcript of the proceedings of the Symposium on Feminist Art Practice, Symposium on Feminist Art Practice (29 January 1995 : Kingston, Ont. Agnes Etherington Art Centre, Kingston, Ontario, Organization of Kingston Women Artists, 1996).
  La Femme et l’art (exhibition catalogue, Switzerland,Triennale du Landeron,1983)
• des Femmes Une Annee a la Galerie des Femmes (Paris, 1981)
• Maria Fernandez, Faith Wilding and Michelle M. Wright (eds) Domain Errors! Cyberfeminist practices (New York: Autonomedia, 2002)
• Figure, Sculpture, Female - Forms of Representation of the Female Body. Germany: Chemitz,1999. Touring exhibition catalogue from Linz, Austria.
• Karen Finley Shut Up and Love Me (Artspace Books, 1998)
• Martha Fleming & Lynne Lapoitne Studiolo: The Collaborative Work of Martha Fleming & Lynn Lapointe (Canada,Montreal : Artextes, 1997, also exhibition catalogue, Art Gallery of Windsor)
• Penny Florence & Dee Reynolds (ed) Feminist Subjects: Multi-Media (Manchester Univ.Press/St Martins,1995)
• Penny Florence Sexed Universals in Contemporary Art (New York: Allworth Press, 2004)
• Foeminilia : memorie ferraresi e invenzioni d'autore : mostra e asta a fini benefici (Ferrara, Palazzina Marfisa d'Este, 27 aprile-9 giugno 2002, Ferrara : Edisai, 2002)
  Curators: Toschi Cavaliere, Chiara., Pansera, Anty.,, Soroptimist international club di Ferrara.
• Rebecca Fortnum British Women Artists (London: IB Tauris, 2007)
• Alicia Foster Tate Women Artists (London: Tate Publishing, 2004)
• Frames of Reference: Aspects of Feminism and Art (exhibition catalogue. Australia: Sydney: Artspace, 15 Aug-29 Sept 1991)
• Jean Franco Plotting Women,Gender & Representation in Mexico (London,1989)
• Some of the major Frauen Museum publications. All Frauen Museum, Bonn, Germany :-
  J.Franke,M.Pitzen DEA SYRIA : die Grosse Gottin des Alten Orient (1996)
  Die Kunstmesse der Kunstlerinnen (1995)
  Das Menschenbild in der Werbung der 90er Jahre (1995)
  Die Rote Konigin: Eine Sammlung von Bildern und Schriften Zur Farbe rot (1995)
  Stadt der Frauen : Szenarien aus spatmittlealtericher Gechichte und zeitgenossicher Kunst (1994)
  Art Beyond Barriers: the International Association of Women in the Arts (1989)
  Dritte Kunstmarkt der Kunstlerinnen (1986)
• Frauenstadtteilzentrum Kreuzberg Schokoladenfabrik (document of work,1982-1985, Berlin: Schokoladenfabrik, 1986)
• Frauen Kunst - Neue Tendenzen (Innsbruck,Galerie Krinzinger, 1975)
• FrauenKunstGeschichte - Forschung Marburg Feministische Bibloigraphie zur Frauenforschung in der Kunstgeschichte (Germany: Pfaffenweiler, 1993)
• Frauen sehen Sich Selbst (Hamburg, 1979)
• Frauen Kunst Kultur : Wege und Perspektiven der Frauenkunst - Kultur und ihrer Forderung (Germany: Dortmund: Ruhr, Kultur Kooperative, 1992)
• Joanna Frueh, C. Langer, A.Raven Feminist Art Criticism: An Anthology (Icon/Harper Collins, 1992)
• Joanna Frueh, C. Langer, A.Raven Feminist Criticism: Art, Identity, Action (Icon/Harper Collins, 1995)
• Joanna Frueh Erotic Faculties (Berkeley: University of California Press, 1996)
• Joanna Frueh Monster Beauty: Building the Body of Love (Berkeley:University of California Press, 2001)
• Diana Burgess Fuller and Daniela Salvioni (eds) Art/Women/California: Parallels and Intersections, 1950-2000 California: San Jose Museum of art, 2002
• Coco Fusco English is Broken Here: Notes on Cultural Fusion in the Americas (New York, 1995)
• Coco Fusco (ed) Corpus Delecti: Performance Art in the Americas (Routledge, 1999)
• Coco Fusco et al The Latina Artist: The Response of the Creative Mind to Gender, Race, Class and Identity (New Brunswick, NJ: Rutgers Univ Press, 1998)

G

• Peggy Gale & Lisa Steele Video Re/View (Canada Toronto: Art Metropole & VTape, 1996)
• Judy Garfin Natural Disguise/Deguisement Naturel Works/Oeuvres, 1973-1998 (Montreal: Vehicule Press, 1998)
• Delia Gaze (ed) Dictionary of Women Artists 2 Vols. (London: Fitzroy Dearborn, 1997)
• Helga Geyer-Ryan Fables of desire : studies in the ethics of art and gender (Cambridge : Polity, 1994).
• Theresa Georgen, Ines Linder, Silke Radenhausen Ich bin nicht ich wenn ich sehe : Dialogue - Aesthetiche Praxis in kunst und wissenschaft von Frauen (Dietrich Remier Verlag, Berlin, 1991)
• GEDOK Gegenlicht - 60 Jahre Gedok (Berlin,GEDOK, 1986)
• Gender Beyond Memory: The Works of Contemporary Women Artists (exhibition catalogue. Japan: Tokyo Metropolitan Museum of Photography, Sept 5- October 27 1996)
• Gewalt Gegen Frauen (Kassel: Frauenhaus,e.v. , 1984)
• Larry Gilman (ed) Threads of Vision: Toward a New Feminine Poetics (Cleveland: Center for Contemporary Art, 2001)
• Jane R.Glaser & Artemis A.Zentou Gender Perspectives: Essays on Women in Museums (Washington DC: Smithsonian Institution Press, 1944)
• GSMBK Kunstlerinnen Gestern und Heute 1923-1990 (Basel: GSMBK, 1991)
• Catherine Gonnard and Elizabeth Lebovici Femmes Artistes, Artistes Femme: La Creation en France, 1900-2000 (Paris, Edition Hazan, 2008)
• Goldrausch : The Best of 1990-1993 (Berlin : Goldrausch,Frauennetzwerk, 1993)
• Goldrausch Kunstlerinnenprojektes Intime Expeditionen: Das Schöne, das Intime, die Neugierde (Badischer Kunstverein, Karlsruhe, Haus Am Waldsee, Berlin. exhibition catalogue, 2001 - curator Dr. Amme Marie Freybourg)
• Nan Goldin Nan Goldin : Ten Years After (USA: Scalo Publishers, April 1998)
• Mayo Graham Some Canadian Women Artists (Canada: National Gallery of Canada, 1975)
• Isabelle Graw Die Bessare Halfte: Kunstlerinnen des 20 und 21 Jahrhunderts (Cologne: du Mont Verlag, 2003)
• Germaine Greer The Obstacle Race (London: IB Tauris, 2001)
• Uta Grosenick (ed) Women Artists in the 20th and 21st Centuries (Germany and UK: Taschen Books. English and German editions. 2001).
• Nancy Grove Magical Mixtures - Marisol Portrait Sculpture (1991)
• Maria Growel Presencia Femenina el las Plastica Continental (Montevideo, Uruguay, Barreiro y Ramos, 1992)
• Uta Grosenick (ed) Women Artists in the Twentieth and Twenty First Centuries (London & Cologne: Taschen Books, 2001) (separate English and German editions available)
• Marina Grzinic & Adele Eisenstein (ed) The Spectralization of Technology: From Elsewhere to Cyberfeminism and Back : Institutional Modes of the Cyberworld (Slovenia: Maribor: MKC, YouthCultural Center: Festival of Computer Arts,1999)
• Guerrilla Girls The Guerrilla Girls' Bedside Companion to the History of Western Art (UK,Harmondsworth,Penguin, 1988)
• The Guerrilla Girls The Banana Report: The Guerrilla Girls Review the Whitney (exhibition catalogue, The Clocktower, New York, 1987)

H

• Robert L.Hall Gathered Visions: Selected Works by African American Women Artists (USA:Washington: Smithsonian Institution Press, 1992)
• Harmony Hammond Lesbian Art in America: A Contemporary History (New York: Rizzoli International Publications Inc, 2000)
• Hammond, Harmony Wrappings : essays on feminism, art, and the martial arts (New York, N.Y. : TSL Press, 1984).
• JoAnn Hanley & Ann-Sargent Wooster The First Generation: Women and Video,1970-1975 (New York:Independent Curators Incorporated, 1993)
• Salah Hassan (ed) Gendered Visions: the Art of Contemporary Africana Women Artists (Trenton, NJ: Africa World Press, 1997)
• Salah Hassan (ed) Genders and Nations: Artistic Perspectives, Shirin Neshat and Chila Kumari Burman (Ithaca, NY: Herbert F Johnson Museum of Art, 1988) essays by Octavio Zaya and Katy Deepwell
• Salima Hashmi Unveiling the Visible: Lives and Works of Women Artists of Pakistan (Islamabad: ActionAid, Pakistan, 2002)
• Deirdre E. Heddon In search of the subject : locating the shifting politics of women's performance art. University of Glasgow, 1999.
• Elaine Hedges,Ingrid Wendt In Her Own Image: Women Working in the Arts (New York:Feminist Press,1980)
• Hilde Hein & Carolyn Korsmeyer Aesthetics in Feminist Perspective (Indiana University Press/Hypatia Inc., 1993)
• Robert Henkes The Art of Black American Women: Works of 24 Artists of the Twentieth Century (USA: Jefferson:McFarland & Co, 1993)
• Lynn Hershman Leeson Clicking In: Hot Links to a Digital Culture (Seattle,Bay Press,1996)
• Deanna Herst, Nat Muller (eds) Ctrl+Shift art - Ctrl+Shift gender: Conver-gences of Gender, New Media and Art (Amsterdam: Axis Bureau voor de Kunsten V/M, 2000)
• Susan Hiller (ed) Thinking About Art: Conversations with Susan Hiller (Manchester: Manchester University Press, 1996)
• Susan Hinnum, Marlene Landgreen and Sanne Kofod Olsen Boomerang (Exhibition of 67 Danish women with web space Inserts Nikolaj-Copenhagen Contemporary Art Space, 1998)
• Jo Holder, Joan Kerr (eds) Past Present: The National Women's Art Anthology (New South Wales: Craftsman's House, 1999)
• Cornelia Honiger Hesse The Future's Mirror (UK touring exhibition, Newcastle-upon -Tyne, Locus +, 1997)
• Jeanette Hoorn Strange Women : Essays in Art and Gender (Carlton,Victoria: Melbourne University Press,1994)
• Rebecca Horn: The Glance of Infinity (ed: Carl Haenlein) (USA, Scalo; Germany, Kestner Gessellschaft, 1997)
• Susan Hiller (ed.& introduced by Barbara Einzig.Preface.Lucy Lippard) Thinking About Art: Conversations with Susan Hiller (Manchester : Manchester University Press,1996)
• Bell Hooks Art on My Mind:Visual Politics (New York: New Press,1996)
• Brigitte Huck & Monika Faber Auf den Leib Geschrieben (Wien: Kunsthalle Wien,1995)
• Salima Hashmi & Nima Poovaya-Smith An Intelligent Rebellion: Women Artists of Pakistan (exhibition catalogue, UK , City of Bradford Metropolitan Council, September 1994)
• Francesca Hughes (ed) The Architect: Reconstructing Her Practice (Boston: MIT Press, 1996)
• Sarah Hyde Exhibiting Gender (Manchester: Manchester University Press, mid-1997)

I

• Eligio Imarisio Donna poi artista : identità e presenza tra Otto e Novecento (Milano : FrancoAngeli, c1996).
• Joanna Inglot WARM: A Feminist Art Collective in Minnesota (Minneapolis: University of Minnesota Press, Weisman Art Museum, 2007)
• Jo-Anna Isaak Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter (London: Routledge, 1996)
• Jo Anne Isaak Laughter Ten Years After (exhibition catalogue: Hobart & William Smith Colleges Press, 1995)
• Gudrun Inboden, Birgit Sonna  Leiblicher Logos : 14 Kunstlerinnen aus Deustschland (Stuttgart: Staatsgalerie, 1995)
• Luce Irigaray Luce Irigaray: Key Writings (London/New York: Continuum 2004)

J

• Elisabeth Jappe Performance,Ritual, Prozess: Handbuch der Aktionskunst in Europe (Munich: New York,Prestel,1993)
• Magadelena Jetelova Magadalena Jetelova: Space Drawings (Leeds: Henry Moore Sculpture Trust, 1991)
• Mary Jane Jacob Shikego Kubota: Video Sculpture (University of Washington Press,1991)
• Natalie Jeremijenko, Eugene Thacker (Biotech Hobbyist) Creative Biotechnology: A User's Manual (Newcastle: Locus +, 2004)
• Paul Jobling Bodies of Experience: Gender & Identity in Women's Photography since 1970 (Vol.2, Nexus: London, Scarlet Press,1997)
• Amelia Jones (ed) Sexual Politics: Judy Chicago's The Dinner Party in Feminist Art History (University of California Press,1996)
• Amelia Jones Body Art-Performing the Subject (University of Minnesota, 1998)
• Amelia Jones The Feminism and Visual Culture Reader (London: Routledge, 2003)
• Amelia Jones Self/Image: Technology, Representation and the Contemporary Subject (London: Routledge 2006)
• Hanne Jonssen (ed) Danske Kvindelige Kunstnere fra 19 og 20 arhundrede repraesenteret pa Statens Museum for Kunst (Copenhaven: Statens Museum fur Kunst, 1980)
• Margarethe Jochimsen (et al) Frauen Machen Kunst (exhibition catalogue , Bonn, Galerie Magers, 1976)
• Béatrice Josse and  Hélène Guenin 2 ou 3 Choses Que J’ignore d’elles: pour un manifeste POST (?)- FÉMINISTE (Frac Lorraine, 2008)  Text in English and French
• Just love me : post/feminist positions of the 1990s from the Goetz Collection  Curators: Rainald Schumacher, Matthias Winzen (Fries Museum (Leeuwarden, Netherlands), Bergen kunstmuseum, Sammlung Goetz, Staatliche Kunsthalle Baden-Baden. Köln : König, 2003).
• Kirsten Justesen Re Kollektion/Re Collection (Denmark: Museum of Modern and Contemporary Art, 17 April-13 June 1999)
• Kirsten Justesen, Melting Time #11 (Denmark: Kunstmuseet Brundlund Slot, Aabenraa and Kastrupgardsamlingen, Kastrup, 2003) Text in Danish and English.

K

• Robin Kahn,Kathy Acker,Antal Ronell Time Capsule: A Concise Encyclopedia by Women Artists (USA:[S.I.]; Creative Time,1995)
• N.Kamenetskaya and L.Iovleva Femme Art: Women Painting in Russia XV-XX centuries (major exhibition catalogue, Moscow: INO & State Tretyakov Gallery, 2002). Text in both Russian and English.
• Geeta Kapur (ed) Inside Out: Contemporary Women Artists of India (exhibition catalogue, UK, Middlesborough: Middlesborough Art Gallery, 1995)
• Michiko Kasahara Life Actually Museum of Tokyo Annual 2005 exhibition catalogue (Tokyo: Museum of Contemporary Art (MOT) 15 Jan-21 March 2005) Text in Japanese and English.
• Michiko Kasahara Exploring the Unknown Self: Self-Portraits of Contemporary Women Artists (Tokyo: Museum of Photography, 1991)
• Susan Kavaler-Adler The Compulsion to Create: A Psychoanalytic Study of Women Artists (London: Routledge,1993)
• Kinga Kawalerowicz The Elements=Zwioly : Project and Execution (Exhibition catalogue and conference papers: Poland: Lodz,Pantswowa Galeria Sztuki w Lodzi, 1993)
• Melanie Keen, Daly Eileen (eds) Necessary Journeys (Arts Council of England: Decibel, Blackworld 2005)
• Mary Kelly Imaging Desire: Mary Kelly:Selected Writings (MIT Press, 1997)
• Mary Kelly Post-Partum Document (London: Routledge, 1983)
• Mary Kelly Social process--collaborative action : Mary Kelly 1970-75. Curator: Judith Mastai (Vancouver : Charles H. Scott Gallery, c1997).
• S.Kent and J.Morreau Women's Images of Men (London: Writers and Readers, 1985)
• Joan Kerr Heritage : the National Women's Art Book : 500 Australian Women Artists from Colonial Times to 1955 (Sydney: Roseville East, New South Wales, Art and Australia, 1995)
• Joan Kerr and Jo Holder (ed) Past/Present: The National Women's Art Anthology (Australia: Craftsman House, 1999)
• Katalin Keseru (ed./curator) Women's Art in Hungary 1960-2000 (Budapest: Ernst Museum, 2000)
• Hong-hee Kim (ed) Patjis on Parade: Women's Art Festival '99 (Seoul, Hongdesign Press, 1999)
• Hong-hee Kim (ed) Woman, The Difference and the Power: Feminine Art and Feminist Art (Seoul, Hankuk Museum, 1994)
• Lucy Kimbell Artist's Books Audit (London: Bookworks, 2002)
• Leslie King-Hammond Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists (New York: Midmarch Press, 1995)
• Thelma B. Kinatar and Sylvia Mendez Ventura (eds) Self-Portraits: Twelve Filipina Artists Speak (Manila: Ateneo de Manila University Press, 1999)
• Sandy Kirby Sightlines: Women’s Art and Feminist Perspectives in Australia (Australia,Craftsman House: East Rowville, 1992)
• Anna Kirker New Zealand Women Artists: A Survey of 150 Years (Tortola,BVI: Craftsmans House, 1986)
• Reiner E. Klemke, Sabine Gieschler (eds) Frau-Raum-Zeit : Karl-Hofer-Symposium, 4, 1982, West Berlin (Berlin: Colloquium-Verlag, 1983)
• Alexandra M.Kokoli (ed) Feminism Reframed: Reflections on art and Difference (UK: Cambridge Scholars, Publishing, 2008)
• Britta Konau, Margo W. Smith, and Brian P. Kennedy Dreaming Their Way: Australian Aboriginal Women Painters (Washington DC: Museum of Women in the Arts, 2006)
• Zoe Kosmidou The Power of Visual Logos: Greek Women Artists (Athens: ICAN, 2003)
• Izabela Kowalczyk and Edyta Zierkiewicz  (eds) W poszukiwaniu małej dziewczynki  ([Wrocław] : Stowarzyszenie Kobiet "Konsola", 2003).
• Chris Kraus Video Green: Los Angeles Art and The Triumph of Nothingness (Mass: Cambridge, MIT/Semiotext(e) Active Agents Series, 2004)
• Rosalind Krauss The Optical Unconscious (Boston: MIT Press,1992)
• Arthur Kroker and Marilouise Kroker The Hysterical Male: New Feminist Theory (Macmillan,1991)
• Kroppen Som Membran / Body as Membrane (exhibition catalogue,curators Kirsten Justese,Valie Export : Denmark: Odense, Kunsthallen Brandts Klaedefabrik,1996)
• Edith Krull Kunst von Frauen deas Berufsbild der Bildenden Kunstlerinnen in vier Jahrhunderten (Leipzig: Edition Leipzig,1984)
• Kubitza, Anette. Die Kunst, das Loch, die Frau : feministische Kontroversen um Judy Chicagos "Dinner Party" (Pfaffenweiler : Centaurus, 1994).
• Kubitza, Anette. Fluxus, Flirt, Feminismus? : Carolee Schneemanns Körperkunst und die Avantgarde (Berlin : Reimer, c2002).
• Kultur Kooperative Ruhr, Kulturburo und Frauenburo der Stadt Dortmund Frauen Kunst Kultur. Wege und Perspektiven der Frauenkunst/-kultur und ihrer Forderung (Germany,Dortmund,1992)
• Takaai Kumakura and Chino Kaori (eds) Onna? Nippon? Bi? (Women? Japan? Beauty?) (Fujisawa: Keio University Press, 1999)
• Verena Kuni and Claudia Reiche (eds) Cyberfeminism: Next Protocols (New York: Autonomedia, 2004)
• Kunst Geschichter Forschungsgruppe Marburg Feministische Bibliografie zur Frauen Forschung in der Kunstgeschichte Frauen (Pfaffenweiler,Centaurus,1993)
• Kunstlerinnen International,1877-1977: Frauen in der Kunst (exhibition catalogue : Berlin,Schloss Charlottenburg,1977)
• Kunstlerinnen aus Mexiko: Neue Gessellschaft fur Bildende Kunst (Kunstlerhaus Bethanien,1981)
• Kvinnfolk (exhibition catalogue, Sweden: Malmo:Konsthal,1975)
• Kvinder ytrer sig om omgivelserne kommentarer til udstillingen Pa vej som viser arbejder af kvindelige arkitekter,planleggere og kunstnere (Aarhus: Modtryk,1980)
• Kvinnor Som Malat (exhibition catalogue, Stockholm: National Museum,1975)
• Kvinnor som Konstnarer (exhibition catalogue, curators Anna Lindberg,Barbro Werkmaster, Stockholm,1975)

L

• Suzanne Lacy Mapping the Terrain: New Genre Public Art (Seattle: Bay Press)
• Betty La Duke Women Artists:Multi-cultural visions (USA: Red Sea Press,1992)
• Betty La Duke Companeras: Women,Art & social Change in Latin America (San Francisco,1985)
• Betty La Duke Africa Through the Eyers of Women Artists (Trenton NJ: Africa World Press, 1991)
• Betty La Duke Africa: Women's Art, Women's Lives (Trenton NJ: Africa World Press, 1997)
• La Centrale(Galerie Powerhouse) Instabili : La Question du Sujet : The Question of Subject (exhibition catalogue, celebrating 15 years : Montreal: La Centrale,1990)
• La Centrale(Galerie Powerhouse) Transmission (exhibition catalogue: Montreal: La Centrale,1996)
• Latin American Women Artists,1915-1995 (Geraldine P.Biller) (USA:Milwaukee Art Museum,1995)
• Monika Laue Wahre Weibeskünste? : zur Problematik einer femininen Ästhetik in der zeitgenössischen Kunst ; Cindy Sherman, Rosemarie Trockel und Rebecca Horn (München : Scaneg, c1996).
• Michèle Le Doeuff, The Philosophical Imaginary (London: Continuum, 2002)
• Candace Lee A Gathering Place: Art-Making by Asian/Pacific Women (Southern California, Pacific/Asia Museum, 1995)
• Lorraine Leeson, Art for change: Works from 1975-2005/Arbeiten von 1975 bis 2005 (Berlin: NGBK, 2005)
• Zoe Leonard / Cherly Dunye The Fae Richards Photo Archive (Artspace Books,DAP, 1998)
• Lilith Billedet som Kampmiddel : Kvindebilleder Mellem 1968 og 1977 (Denmark: Informations Forlag,Lilith,1977)
• Margaret Lessing et al Women Artists in South Africa (Cape Town: South African National Gallery, 1985)
• Ines Lindner,Sigrid Schade,Silke Wenk,Gabriele Werner Blick Wechsel: Konstructuionen von Mannlichkeit und Weiblichkeit un Kunst und Kunstgeschichte : 4.Kunsthistorikerinnin-Tagung in Berlin (Berlin: Dietrich Remier Verlag, 1989)
• Shi Ling & Zheng Xiaojuan Contemporary Chinese Painters (China,Beijing: Foriegn Languages Press,1995) Text in Chinese and English.
• Lucy Lippard On the Beaten Track (New Press,1999 / IB Tauris, 2000)
• Lucy Lippard From the Center:Feminist Essays on Women's Art (New York: Dutton, 1976)
• Lucy Lippard Overlay: Contemporary Art and the Art of PreHistory (New York:Pantheon Press,1983)
• Lucy Lippard Get the Message? A Decade of Art for Social Change (New York: E.P.Dutton, 1984)
• Lucy Lippard The Pink Glass Swan: Selected Feminist Essays on Art (New York: New Press, 1996)
• Lucy Lippard. (Commentary by Laura Cottingham) Hot Potatoes: From Minimalism to Activism (New York Critical Voices Series from G+B Arts international ,May 1997)
• Lucy Lippard Issue: Social Strategies by Women Artists (exhibition catalogue, London: ICA,1980)
• Olga Lipovskaya, Katie Baldwin  Favoritka ... : [vystavka] : exhibition catalogue, Proshedsheya in Saint Petersburg. Part of the Festival of Women's Art “Not a Muse, but a Creator” ... St. Petersburg, Fresh Air, November 12-20 1994.
• Lithuanian Art / Women Experience (exhibition catalogue Washington DC: Contemporary Art Centre, October 1998. Essay: Dr Ieva Kuiziniene)
• Alison Lloyd (Kamala Kapoor & Sutapa Biswas) Inside Out: Contemporary Women Artists of India (exhibition catalogue, UK Middlesborough Art Gallery,1995-1996)
• Fran Lloyd Contemporary Arab Women's Art: Dialogues of the Present (London: IB Tauris, 1999)
• Judy Loeb (ed.) Feminist Collage: Educating Women in the Visual Arts (USA: Columbia University:Teachers College Press, 1979)
• Romana Loda, Valie Export (ed) Magna Feminismus: Kunst und Kreativitat (Wien, Galerie Nachst St. Stephan & Rome, 1976)
• Irmgard Lohlen(ed) Kunstlerinnen International, 1877-1977 (Berlin: Neue Gesellschaft fur bildende Kunst, 1977)
• Yve Lomax Writing the Image: An Adventure with Art and Theory (New York: I. B. Tauris. 2000)
• Yve Lomax Sounding the Event: Escapades in Dialogue and Matters of art, Nature and Time (London: IB Tauris, 2005)
• Lydia Lunch Paradoxia:A Predator's Diary (London: Creation Books, 1998)
• Victoria Lu Taiwan (dangdai) Nuxing yishushi (History of Contemporary Taiwan Women Artists) Taipei: Yishujia Chubanshe, 2002) text in Chinese.
• Cindy Lyle, Silvia Moore, Cynthia Navaretta (eds) Women Artists of the World (New York: Midmarch Arts Press, 1984)

Links Books M-Z