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Listed alphabetically by author (n.paradoxa issue no., date of issue)

• An Interview with Marina Abramovic (2, Feb.1997)
• Meena Alexander Post-Colonial Theatre of Sense: The Art of Chila Kumari Burman (14, Feb 2001)
• Edit Andras Gender Minefield: The Heritage of the Past, attitudes to feminism in Eastern Europe 11,Oct.1999)
• Papers from ARCO 2002 panel, Art and Feminism (March 2002), chaired by Ute Meta Bauer (16, June 2002)
  - Marion von Osten If white is just a colour, the gallery is just a sight?
  - Katy Deepwell n.paradoxa: feminist debates
• Tomur Atagök A View of Contemporary Women Artists in Turkey (2, Feb.1997)
• Pennina Barnett Materiality, Subjectivity & Abjection in the Work of
  Chohreh Feyzdjou, Nina Saunders and Cathy de Monchaux (7, July 1998)
  
• Pauline Barrie Report on City of Women in Slovenia (1, Dec.1996)
• Eli Bartra 'Displaced or Nomadic Subjects' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
• Angelika Beckmann Silke Wagner : Facetten einer Austellung in der Galerie Meyer Riegger, Karlsruhe (20 Feb-23 March 1999) (9, Feb.1999)
• Angelika Beckmann Das Zentrum fur Kunst und Medien Technologie (ZKM) in Karlsruhe, Deutschland: Uberlegungen zu ausgewahlten Werken von Kunstlerinnen im Museum fur Neue Kunst und im Medienmuseum (6, March 1998)
• Peggy Zeglin Brand Disinterestedness & Political Art (8, Nov.1998)
• N.Paradoxa Interview with Gisela Breitling, Berlin artist and art historian (4, Aug. 1997)
• Maria Elena Buzek War Goddess: The Varga Girls WWII and Feminism (6, March 1998)
• Emanuela de Cecco Reflections on the gaze, game, and narration : Eva Marisaldi, Liliana Moro and Grazia Toderi (10, June 1999)
• Mariah Corrigan American Woman and Bad Girl: Mariah Corrigan interviews Kathe Burkhart (17/18 June 2003/Jan 2004)
• Letter from the Editor - Editorial Policy of n.paradoxa (11, October 1999)
• Katy Deepwell Students and Feminisms (10, June 1999)
• Out of Sight / Out of Action (7, July 1998)
• Katy Deepwell Reading in Detail : Ndidi Dike Nnadiekwe (Nigeria) (4, Aug.1997)
• Katy Deepwell Feminist Readings of Louise Bourgeois or Why Louise Bourgeois is a Feminist Icon (3,May 1997)
• Katy.Deepwell Uncanny Resemblances: Restaging Claude Cahun in 'Mise en Scene' (1, Dec.1996)
• Katy Deepwell Paint-Stripping: Feminist Possibilities in Painting After Modernism (1,Dec.1996)
• Katy Deepwell Questioning stereotypes of feminist art practice (2, Feb.1997)
• Katy Deepwell 'More than Seven Urgent Questions about Feminism' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
  
• Defining Experiences: Feminist Exhibitions in the 1990s
  (Issue 13,Sept 2000)
  In September 2000, n.paradoxa asked a number of artists, critics and curators for a short quote or statement in response to the questions below:
  What is your most memorable experience of a feminist/ women's art exhibition in the past 10 years and why?
  Did it challenge or change your understanding of feminism?
  Responses from Yoshiko Shimada, Irina Aktuganova, Lynn Hershman, Judy Chicago, Betsy Damon, Emanuela de Cecco, Susan Hinnum, Gayatri Sinha ; Anne Kirker; Linda Montano; Lorna Green and Susan Platt ; Gail Bourgeois; Alina Tortosa; Nancy Azara; Anne Marsh and Joanna Frueh ; Amelia Jones, Louise Parsons, Barbara Hammer and Lisa Bloom ; Sonia Cabrera Ullon, Hilary Robinson, Marsha Meskimmon, Joy Mullet, Ulrike Bergermann, Benny Alba and Kirsten Justesen
• Diary of an Ageing Art Slut installment from June-December 2003 (17/18 June 2003/Jan 2004)
• a second installment from March-Jan 2004
• Diary of an Ageing Art Slut installment from late 2001-2002 (16, July 2002)
• The unmissable Diary of an Ageing Art Slut more tales moving into 2001 (15, July/Sept 2001)
• additional installment from Aug-Nov 2001, Diary of an Ageing Art Slut (15, Jan 2002)
• Diary of an Ageing Art Slut more tales from February-September in year 2000
• Diary of an Ageing Art Slut more tales from 1999 into the year 2000....
• Diary of an Ageing Art Slut more tales from June 1999 onwards.... (11, October 1999)
• Diary of an Ageing Art Slut from March 1999 (10, June 1999)
• Diary of an Ageing Art Slut from November 1998 (9, Feb.1999)
• Diary of an Ageing Art Slut July 1998 (8, Nov.1998)
• Diary of an Ageing Art Slut more moments from March-June 1998 (7, July 1998)
• Diary of an Ageing Art Slut continued....(6, March 1998)
• Diary of an Ageing Art Slut continued....(5, Nov.1997)
• Diary of an Ageing Art Slut continued....(4, Aug 1997)
• Diary of an ageing art slut, London first installment ! (3, May 1997)
• Documenta X : A Critique (4, Aug 1997)
• Mary S.Duffy Subject(ed) to Desire : Representations of the Diseased as Norm (6, March 1998)
• Editorial 1 (2,Feb.1997)
• Editorial 2 (4,Aug.1997)
• Liz Ellis 'Do You Want to Be in My Gang?' An account of Ethics and Aesthetics in Contemporary Art Practice (2, Feb.1997)
• Catherine Elwes The Pursuit of the Personal in British Video Art (5, Nov 1997)
• Jane Fletcher The Uncanny Effect of Sally Mann's Immediate Family (7, July 1998)
• Anja Franke Motiv #11 also Danish version (8, Nov 1998)
• Cynthia Freeland on perceptions of Australia and women on the net (2, Feb 1997)
• Papers from the panel Historiography/Feminism/Strategy at the College Art Association conference, 26th February 2000, New York. Organised by the CAA Committee for Women in the Arts
  - Hilary Robinson (University of Ulster) Chair and Introduction(12, March 2000)
  - Renee Baert (Concordia University) Renee Baert's Paper (12, March 2000)
  - Whitney Chadwick (San Francisco State University) Whitney Chadwick's Paper(12, March 2000)
  - Deborah Cherry (University of Sussex) Deborah Cherry's Paper (12, March 2000)
  - Katy Deepwell (editor, n.paradoxa) Katy Deepwell's Paper (12, March 2000)
  - Phoebe Farris (Purdue University) Phoebe Farris' Paper(12, March 2000)
  - Dori G. Lemeh (Pennsylvania State University) Dori G. Lemeh's Paper (12, March 2000)
  - Marsha Meskimmon (Loughborough University) Marsha Meskimmon's Paper (12, March 2000)
  - Janet Wolff (University of Rochester / Cornell University) Janet Wolff's Paper (12, March 2000)
• Brigitte Hammer 'Shared Times II / Pictures and Sculptures' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
  
• Shelley Hornstein Of Identities and Nationalism seen from Far and Near: Narelle Jubelin and the Politics of Space(2, Feb.1997)
• Rose Issa 'Re-Orienting our Views': A rediscovery of Iran through its cinema and women filmmakers (5, Nov.1997)
• Janis Jefferies Autobiographical Patterns (4, Aug.1997)
• Concha Jerez 'Installed Ideas' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
  
• Amelia Jones Faith Wilding and the Enfleshing of Painting (10, June 1999)
• Jenny Jones Reproductive work and the creation of the digital image (9, Feb.1999)
• Interview with Lyndal Jones about Deep Water /Aqua Profunda exhibited in the Australian Pavilion in Venice (15, July/Sept 2001)
• Gabriele Kamper 'Equality - a call to and from all politicians' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
• Katrin Kivimaa Introducing Sexual Difference into Estonian Art
  Feminist Tendencies during the 1990s (4, Feb 2001)
• Leonida Kovac The Anatomy of Reality : the work of Duba Sambolec (10, June 1999)
• Izabela Kowalczyk Feminist Art in Poland (11,October 1999)
• Izabela Kowalczyk The Geometry of Power in Zofia Kulik's Work (11, October 1999)
• Anette Kubitza Fluxus, Flirt, Feminist? Carolee Schneemann, Sexual liberation and the Avant-garde of the 1960s (15, July/Sept 2001)
• Ying Ying Lai The Historical Development of Women's Art in Taiwan(8, Nov.1998)
• Violetta Liagatchev Constitution Intempestive de la République Internationale des Artistes Femmes (3, May 1997)
• Victoria Lu The Rise of Feminist Awareness and the Feminist Art Movement in Taiwan (16, July 2002)
• Amna Malik Cleaning up the Picture: Rose Frain’s What I brought with me (17/18 June 2003/Jan 2004)
• Amaya Martinez de la Escalera Castells 'The Dynamics of a Legacy:Living where you don't belong' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
• Monica Mayer De La Vida y el Arte Como Feminista (Spanish) A Personal History of Feminist Art Activism in Mexico (English) (8,Nov.1998)
• Suzana Milevska Female Art Through the Looking Glass (7,July 1998)
• Iliyana Nedkova The Contemporary Myth of Women Artists in Erica Jong's Novel Any Woman's Blues(1990) (6, March 1998)
• Ann Newdigate From Plants to Politics : The Particular History of A Saskatchewan Tapestry (4, Aug.1997)
• Ursula Neinhaus 'Preserving, Describing, Conserving Cultural History and Making it Accessible: FFBIZ,
  The Women's Research, Education and Information Center,Berlin' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
• Ramona Novicov 'Three Female Hypotheses of the Romanian Avant-Garde' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
• Sanne Kofod Olsen and Kirsten Justesen 'Feminist art in Denmark: a short introductory history and
  an interview with Kirsten Justesen, (artist, born 1943)' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
  
• Profile of Ostranenie : Women Filmmakers from Eastern Europe (5, Nov.1997)
• The Cyberknitting event at Ostranenie, Bauhaus, Dessau (5, Nov.1997)
• Ostranenie n.paradoxa Interview with Irina Aktuganova of Gallery 21, St Petersburg (5, Nov.1997)
• Martina Pachmanova Mobile Fidelities: Conversations on Feminism, History and Visuality (19, May 2006): Contents: Martina Pachmanová Introduction. Linda Nochlin: Writing History "Otherly"; Natalie Boymel Kampen: Call History Writing into Question; Kaja Silverman: The World Wants Your Desire; Susan Rubin Suleiman: Subjectivity In Flux; Amelia Jones: Art's Sexual Politics; Mira Schor: Painterly and Critical Pleasures; Jo Anna Issak: Ripping Off the Emperor's New Clothes; Janet Wolff: Strategies of Correction and Interrogation; Martha Rosler: Subverting the Myths of Everyday Life; Marcia Tucker: Empowerment and Responsibility; Carol Duncan: Maybe Feminism Has Just Begun
• Paradoxes and Orthodoxes (2, Feb 1997)
• Annie Paul Meeting History with Art: "The Myriad of Myself" on Lips, Sticks and Marks Seven women artists from the Caribbean shown at the Art Foundry in Barbados (8, Nov.1998)
• Daniele Perrier Canon Senol: Once Upon a Time... (17/18 June 2003/Jan 2004)
• Howardena Pindell Diaspora/Strategies/Realities A conference paper on African-American artists from Trade Routes, History, Geography,Culture , Johannesburg Biennale, October 1997 (7, July 1998) Diaspora/Strategies/Realities updated with new postscript, Jan 2002 (15, added Jan 2002)
• Nima Poovaya-Smith Arpana Caur : A Profile (3, May 1997)
• Mercedes Replinger 'A False Interview with Real Answers' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
  
• Reviewing 1970s and 1980s Feminist Art Practices in the 1990s:
  Three Major Exhibitions on Judy Chicago, Eleanor Antin and Martha Rosler
  College Art Association Conference panel papers, February 2001 (14, Feb 2001)
  • Lisa Bloom (chair) Opening Remarks and CV's of contributors (14, Feb 2001)
  • Alison Rowley Exhibiting Martha Rosler? A Feminist Response to martha rosler: positions in the life world (14, Feb 2001)
  • Catherine Caesar Martha Rosler's Critical Position within Feminist Conceptual Practices (14, Feb 2001)
  • Ruth Wallen The Legacy of 1970s Feminist Artistic Practices
    on Contemporary Activist Art (14, Feb 2001)
  • Lucy Soutter Community vs. Context in the Reception of Eleanor Antin's Retrospective (14, Feb 2001)
  • Alexander Alberro Discussant's closing remarks (14, Feb 2001)
• Hilary Robinson Louise Bourgeois's 'Cells' : Looking at Bourgeois through Irigaray's Gesturing Towards the Mother (3, May 1997)
• Hilary Robinson Nine Snapshots from living and working in Belfast (2, Feb.1997)
  
• Moira Roth & Hung Liu The 17th Century Tale of Lady Liu and Lady Remington and a 20th Century Postscript (1,Dec.1996)
• Moira Roth 'Widening the Spiral: Musings and Readings in a Berkeley cafe, California, March - April 2007' Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog. Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
  
• N.Paradoxa Dialogue with Australian artist, Jill Scott (2, Feb.1997)
• Mare Tralla T.Est.Art : A View of Estonian Feminism (5,Nov.1997)
• Yvonne Trapp Research on the Male Muse / Forschung nach Männlicher Muse (10,June 1999)
• Dot Tuer Mirrors and Mimesis: An Examination of the Strategies of Image Appropriation and Repetition in the Work of Dara Birnbaum (3,May 1997)
• Two senses of representation: Analysing the Venice Biennale in 2001 (15, July/Sept 2001)
• VNS Matrix Bitch Mutant Manifesto (4,Aug.1997)
• Gisela Weimann 'Shared and/or Divided Times: Questions and Answers and Europe in Exile'. Paper from the Geteilte Zeit : Kunstgeschichte als internationaler dialog
  Shared and Divided Times: art history as international dialogue conference, 25-28 March 2008. (20, April 2008)
• Mali Wu A Profile of the conceptual work of Mali Wu, Taiwan (5,Nov.1997)
• Interview with Catherine de Zegher: Curator of Inside the Visible: An Elliptical Traverse of Twentieth Century Art,in,of,and from the feminine (1,Dec.1996)
• Annelise Zwez Gibt es Noch Themen in der Zeitgenoissischen Kunst? Und Welche interessieren Kunstlerinnen heute?Are there still themes in Contemporary Art? And if so,which are of interest to Women Artists Today?English Translation by Frances Deepwell. (1,Dec.1996)