A lot of people began to refer to that trip as an ambassadorial role, because as I say it was the first time country music had been taken live behind the iron curtain. They had heard some of it on the radio as I found out, on the voice of America and from the BBC. But I was a kind of a guinea pig I guess, because a few months after I was there Tennessee Ernie Ford and a group from Opryland went over, and The Nitty Gritty Dirt Band were over as well for a concert tour. 

It was just a ground breaking exercise I guess. I enjoyed it though it was very exciting.

I met a lot of people from Ireland for the first time at Wembley, like Larry Cunningham, Brian Coll, Philomena Begley and folks like that you know. They used to come over every year for the Wembley festival, and the  year that Sandy Kelly, whose playing Patsy Cline at the moment was there -  she was there with Johnny Cash - I missed, so I didn't get to meet her till later.

Ian later became a record producer, and he came up with this idea to pair The Hillsiders, who at the time where Britain's premier country band, with a friend of theirs from Nashville, which wasn't the first time they had done that though as they had previously recorded an album with Bobby Bare in Nashville. But this was to be the first album recorded in Britain by an American with a British band and all British musicians.

So it was a kind of historic venture, and the Hillsiders and I have remained real good friends through the years.

We did a tour of Europe, the Scandinavian country's, Germany, Austria and Holland in 1969, and we did a television series together for BBC2. The first one was the one we did at the Nashville rooms which was also the first ever country music television series.  So the Hillsiders and I have had historic moments together and a lot of good memories. 
Their great lads.

I love Canada very much. We did a television series there for 7 years in Hamilton, Ontario. That was the series that was screened over here in the UK.

I have a great love for Canada, it's a wonderful land and although it's a much bigger country than the U.S. or the British Isles, there's a smaller population, so there's lots of elbow room, lots of unspoiled territory out there. It's a real special land, and the people are - what is it they say- cold weather, warm hearts. That's the way it is over there.

He's doing well, in fact he's in the midst of recording a new album at the moment and planning a tour of Britain with Colin Ford, formally of "Fever" and Argyle Bell, the steel player from Nashville. So tell him howdy for me if you see him before I do.

We often do the Grand O'l Opry together when we're in the states, but he has his own band and his own style, and he doesn't really want to be tied too much to his old man. He's trying to do his own thing and carve his own way in the business, which I think is good.

I've met George the actor and we had a good laugh about it. I don't know whether he was just teasing or trying to make me feel good or what, but he said he often has the same problem at party's in Hollywood. People will ask him to sing Abilene. Well he play's guitar (he played Hank William's in a movie) so he say's he learned  Abilene in self defence, so that when people ask him to sing it, he can just get up and sing it and not have to start explaining. 
He's a nice fella, I enjoyed meeting him.

The only thing is you have to memorize lines, that was a big change. I'm used to learning songs, but that's a lot easier because you have the melody to lead you along. 
It's been quite an experience, I've enjoyed it.

It's not that I didn't think the play was good enough, I just didn't think it would go on this long. I might have to emigrate if it carries on like that.

Obviously we'd be delighted if it was a success in the West End, and there'll probably be a Patsy Cline the 40th or 50th by the time they finish with it. I don't know what they'll do about George, I suppose they'll have to get in George Hamilton the actor to take over from him (laughter).