|

|
|
 |
|
|
Turn on, tune in ...
Before 1964, music radio stations in the Britain did not exist. There was literally no musical entertainment to be heard on the radio, other than the BBC's 'Light Programme'
(imagine a rather dowdy version of Radio Two).
This all changed in March 1964, with the advent of
Radio Caroline. What was unusual about Caroline was the
fact that it was based on a ship moored just outside British territorial waters, four and a half miles off the Essex coast. Due to its anchorage, Radio Caroline was
able to broadcast legally (it was not in any country, so not liable to any laws).
Being just a few miles from the coast of Essex, Radio Caroline was able to transmit a very clear
and powerful signal across London and Southern England. Caroline was joined in the early part of 1964 by another station called Radio Atlanta. It was soon decided to merge the two
stations, and relocate one of the ships off the coast of the Isle of Man, thus creating a
national service receivable in the north of England, Wales, Ireland, and most
of southern England.
|
|
The concept of 'free radio' soon spawned
dozens of other offshore stations such as Radio London ('Big L'), Radio
England, Radio Scotland (based in the Firth of Clyde, near Glasgow), Radio 270 (based off the
Yorkshire coast, near Scarborough) and most curiously, a number of stations which operated
from rusty ex-wartime sea forts in the Thames estuary, such as
Radio
City and Radio Essex.
The quality of these stations varied enormously.
While stations such as Caroline and Big L could boast DJ line-ups which
included names such as Kenny Everett, Johnnie Walker, Dave Lee Travis and
Dave Cash, the smaller stations (such as those based on the forts) were
basically run by amateurs.
The pirate stations were regarded as a
continual thorn in the side of the government of the day, who were
desperate to find an excuse to have them closed down. They didn't have to
wait long, and a shooting incident resulting from a row over 'ownership'
of one of the illegally occupied Thames forts left a man dead.
The Marine Broadcasting Offences Act became law in
August 1967, and the BBC launched it's national pop music station -
Radio
One - a month later.
One or two offshore stations continued broadcasting
sporadically, including Radio Caroline, which continued broadcasting
illegally until 1968 before disappearing, although it did re-emerge in
1972 with a rock-based format, and continued off and on until 1989. The
most famous offshore station of the 1970's was Radio Northsea
International, which broadcast on three frequencies (on AM, FM, and short wave) three miles from the coast of Scheveningen, Holland, until the Dutch
government introduced their own legislation in 1974.
Other notable offshore stations of this period were the excellent Radio Veronica (a Dutch station, which later gained
legal status as a radio and
TV broadcaster), plus
Radio Atlantis (English and Dutch/Flemish - anchored off the Belgian coast). A number of well
known personalities started their careers on RNI, including our very own
Robbie Vincent.
|
|
October 1973 saw the launch of
Britain's first legal commercial music station. Capital Radio broadcast
round the clock to the London area, and boasted a DJ line-up gleaned
mostly from Radio One, which by now had become horrendously 'tame', and
represented the worst possible combination of cheesy radio presenters and
jangly top 40 pop music. Amongst Capital's most memorable shows in it's
early days was the
Kenny &
Cash breakfast show, featuring
Kenny Everett and Dave Cash.
Capital did manage to fill a void for a
fair few years, probably until around the mid 1980's, but it too became about as 'naff' as could be
managed (the exception always having been Greg Edwards 'Soul Spectrum' -
as a schoolboy circa 1974 I recall being blown away by records like Eddie Kendricks - 'Date With The Rain'
or
The Three Degrees
- 'Year Of Decision' ) and, a few
years later, not forgetting David Rodigan's
brilliant Saturday night 'Roots Rockers' reggae show, where you'd have been
treated to tracks such as
Dennis Brown - 'Love Has Found It's
Way'
|
|
Landbased pirate stations established a foothold in the
London area during the late '70s, and filled a huge musical void. One of
the originals was Radio Jackie, who
campaigned vigorously for a licence to broadcast in their native south
west London. Jackie was really a 'community' radio station, but did
broadcast a fair share of black dance music.
Radio Jackie broadcast on
medium wave, and all of it's programming was pre-recorded, then
transmitted from a 'site' - usually somewhere woodland, with a wire aerial
strung up between trees, and a 'rig' (home made transmitter attached to a
cassette player, and powered by car batteries).

The original radio champion of soul and jazz funk
music was
Radio Invicta - every Sunday
from 12pm - 3pm. Invicta was quite innovative during the late '70s, as it
was not only the first pirate with a format of soul music ('Soul Over
London'), but it also used FM, rather than crackly AM.
|
|
The early '80s saw the advent of landbased pirates
broadcasting 24-hours per day. During late 1983 our soul famine was
brought to an end by those fine fellows at JFM who, after a couple of years of Sunday afternoon broadcasting, decided to
go 'full time'.
The early to mid 1980s saw a boom in pirate radio
activity, especially in London. Stations like
JFM,
LWR, Solar, Lightning,
and Kiss (later to gain legal status) all broadcast on and off from
various locations, and suffered numerous raids at the hands of the Home
Office.
London, like many other parts of the country, is
lucky enough to now have specialised radio stations catering for all types
of musical tastes (including Soul and Jazz). It took until late 1989 for
the UK to hear it's first legal black music radio station - the now
long-forgotten WNK,
which shared it's low power transmitter with London Greek Radio, taking
turns to broadcast four hours at a time. There soon followed Choice
FM, in South London, and (biggest
of them all) Kiss
FM.
In it's early days, Kiss FM was
British black music radio personified.
|
|
|
|
|