theatrefusion


CAESAR adapted from Shakespeare by Thomas Gemmell - September 1999


VENUES

The Cottier Theatre, Glasgow

22nd September - 1st October @8pm


CREDITS

Adaptation and Direction
Thomas Gemmell

Lighting
Alan Dempster

Photography
Henrriikka Clarkeburn

Programme 
Thomas Gemmell

Poster/Artwork
Irwin Stuart Design

CAST

Decius:  Alan Bryant

Artemidorus:  Deborah Cannon-Carmichael

Brutus:  Charles Donnelly

Lucilius:  Bruce Downie

Calpurnia:  Abigail Gemmell

Cinna:  John Gilmour

Metellus:  Marc MacGregor

Cassius:  Karen MacLeod

Caesar:  Shaun McLaren

Portia:  Georgette Ratcliffe

Mark Antony:  Richard Wright

 

 

ABOUT THE PLAY

PRESIDENT ASSASSINATED
NATION MOURNS


World Premiere

In September 1999, TheatreFusion presented this new multimedia adaptation of Shakespeare's classic play.

Set during a modern-day presidential re-election campaign, the production used images and sound to create a world where spin-doctors and media manipulation are at the heart of the political intrigue, and where a high-powered rifle is much more effective than a knife in the back.

 


BACKGROUND

CAESAR premiered on 23rd September 1999, 400 years after Shakespeare's Tragedy of Julius Caesar was first performed.

Caesar updated the play to a modern American setting, and included scenes on film, alongside traditional US marching music and rock music.

 

 


OTHER PRODUCTIONS OF CAESAR

TheatreFusion's adaptation of CAESAR was presented by acting students at the Glasgow College of Nautical Studies on 15th, 16th and 17th of March 2005 . 

This adaptation received it's US Premiere in New Jersey in October 2004. Visit: www.d-e.org

The director of the US production comments 

"a big hit all round ... a great high school production in print ... a great adaptation"

REVIEWS

The Herald : Thomas Gemmell's adaptation is bold and ambitious…

 dropping text in favour of sound and video montage compliments an adaptation which sees media manipulation and spin-doctoring at the heart of the murderous political intrigue… 

Shaun McLaren's Caesar is suitably Clintonesque - decent, though flawed… A production full of clever ideas…


Audience

A bold, brave, innovative production...   

The scenes on video worked nicely, conveying important off-stage scenarios and added to the JFK style atmosphere...   

As a teacher, I feel Shakespeare is great… liked the modernisation of it...   

Brought out the political intrigue really clearly to me for the first time...


OTHER INFORMATION

View an excerpt from the script by scrolling down the page.

If you are interesting in obtaining a copy of the script for your company or school, or wish to perform your own production of this adaptation, simply email info@theatrefusion.co.uk.

View images from the TheatreFusion production on our Photograph Album

 

 

 

 

 


Caesar 1  Caesar 3  Caesar 2

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Copyright 1999-2006

Thomas Gemmell/TheatreFusion

Contact info@theatrefusion.co.uk for details on obtaining script or performance rights


[Off-stage, Caesar is finishing his acceptance speech. Enthusiastic cheers can be heard from the delegates in the auditorium. In the Campaign Room, Cassius continues speaking to Brutus. Caesar can be seen on various television screens in the room]

Cassius
"Brutus" and "Caesar": what should be in that "Caesar"? Why should that name be sounded more than yours? Write them together: yours is as fair a name. Sound them: it doth become the mouth as well. Weigh them: it as heavy. Conjure with 'em: "Brutus" will start a spirit as soon as "Caesar". Now, in the names of all the gods at once, upon what meat doth this our Caesar feed That he is grown so great? Rome, thou hast lost the breed of noble bloods!

Why, man, he doth bestride the narrow world like a Colossus, and we petty men walk under his huge legs, and peep about to find ourselves dishonourable graves. Men at some time are masters of their fates. The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.

Brutus
Into what dangers would you lead me Cassius?

[Wild applause as Caesar's speech ends. The entourage re-enter providing over-enthusiastic applause for Caesar as he makes an entrance. Calpurnia is helped to a seat by Portia as Calpurnia is heavily pregnant. Brutus moves away from Cassius.]

Cinna
O Cassius, if you could but win the noble Brutus to our party --

Cassius
Three parts of him is ours already, and the man entire upon the next encounter yields him ours.

Cinna
O he sits high in all the people's hearts, and that which would appear offence in us, his countenance, like richest alchemy, will change to virtue and to worthiness.

[Champagne is popped. Brutus proposes a toast to Caesar, who basks in the glory. Caesar pulls Antony to the side.]

Caesar
Yond Cassius hath a lean and hungry look. She thinks too much. That can be dangerous.

Antony
Fear her not, Caesar, she's not dangerous.

Caesar
I fear her not. Yet if my name were liable to fear, I do not know the one I should avoid so soon as that spare Cassius. People like she are never at heart's ease while they behold a greater than themselves, and therefore are they very dangerous.

[Caesar grabs a plastic election hat and dons it, pulling the elastic under his chin.]

I rather tell thee what it is to be feared than what I fear; for always I am Caesar!

[Laughs and applause. The entourage exit. Portia waits, confused at Brutus quiet whisperings to Cassius.]

Brutus
That you do love me, I am nothing jealous. What you would work me to, I have some aim. How I have thought of this, and of these times, I shall recount hereafter; for this present, I would not - so with love I might entreat you - be any further moved. What you have said, I will consider; what you have to say, I will with patience hear, and find a time both meet to hear and answer such high things. Till then, my noble friend, chew upon this: Brutus had rather be a villager than to repute himself a son of Rome under these hard conditions as this time Is like to lay upon us.

Cassius
I am glad that my weak words have struck but thus much show of fire from Brutus --

Brutus
[Interrupting] --- Tomorrow, if you please to speak to me, come home to me and I will wait for you.

[Brutus leaves with Portia].

Cassius
I will do so, till then, think of the world.

[She grabs a drink.]

Caesar doth bear me hard; but he loves Brutus. If I were Brutus now, and he were Cassius, he should not humour me. Well, Brutus, thou art noble; yet, I see, thy honourable metal may be wrought from that it is disposed.

[She turns away, then, spotting an image of Caesar on the TV screen, raises her glass.]




Copyright 1998-2007
Thomas Gemmell/TheatreFusion

 

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